https://queeringdamage.hangar.org/api.php?action=feedcontributions&feedformat=atom&user=Helen 2026-05-18T02:38:12Z User contributions MediaWiki 1.31.1 https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=156 2022-01-28T08:49:49Z

<p>Helen: </p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> '''<br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) <br /> <br /> = QÆ (QUEERING DAMAGE OR N)'''<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[about]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:Queering_damage_final22.pdf|Queering Damage Manual]]<br /> <br /> [http://ddivision.xyz/ The Underground Division]</div>

Helen https://queeringdamage.hangar.org/index.php?title=File:Queering_damage_final22.pdf&diff=155 2022-01-28T08:47:03Z

<p>Helen: </p> <hr /> <div></div>

Helen https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=154 2022-01-12T11:03:04Z

<p>Helen: </p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> '''<br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) <br /> <br /> = QÆ (QUEERING DAMAGE OR N)'''<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[about]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:QueeringDamage.pdf|Queering Damage Manual]]<br /> <br /> [http://ddivision.xyz/ The Underground Division]</div>

Helen https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=153 2022-01-12T11:01:54Z

<p>Helen: </p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> '''<br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) <br /> <br /> = QÆ (QUEERING DAMAGE OR N)'''<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[about]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:QueeringDamage.pdf|Queering Damage Manual]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=152 2022-01-12T11:01:24Z

<p>Helen: </p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> '''<br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) <br /> <br /> = QÆ (QUEERING DAMAGE OR N)'''<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[ABOUT]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:QueeringDamage.pdf|Queering Damage Manual]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=About&diff=151 2022-01-12T10:59:35Z

<p>Helen: </p> <hr /> <div>Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.<br /> <br /> (ENG + CAT below)<br /> <br /> == '''[CAST]''' == <br /> <br /> <br /> A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?<br /> <br /> En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?<br /> <br /> Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.<br /> <br /> Este taller es Anti-Copyright<br /> Sucederá en inglés<br /> <br /> [[File:Damaged lake.jpg]]<br /> <br /> == '''[ENG]''' ==<br /> <br /> As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.<br /> <br /> In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?<br /> <br /> We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.<br /> <br /> This workshop is Anti-Copyright<br /> It will happen in English<br /> <br /> <br /> --[[File:Frozenembryos-520157312.jpg]]<br /> <br /> == '''[CAT]''' ==<br /> <br /> A mesura que els organismes genèticament modificats “dissenyats” com a components informàtics s’inscriuen en els esdevenirs ambientals de la remediació, i proliferen les nostres salvatges fantasies de (micro)*bio-analítica generant capital viu, els tripijocs tecno-ambientals i les seves ficcions polítiques estan invocant pràctiques a l’escala del “fer-món”. La computació ambiental i la seva producció de nous arranjaments ecològics s’estén molt més allà del laboratori -explotant intensivament les labors vives i les friccions d’animals i organismes no humans a través de pràctiques afectives, semiòtiques i materials cada vegada més accelerades-. Les nostres co-composicions/esdevenirs tant amb internet com amb altres xarxes i/o dispositius digitals s’embullen cada vegada més en els nostres “nosaltres” no-locals. Aquestes escenes exploten organismes no humans per sostenir maneres particulars de vida; no obstant això, aquestes explotacions també creen oportunitats per a reparacions i per a la impugnació creativa – el que provoca la urgència de queerificar els “com es fa”! El nostre repte col·lectiu és que la tecnociència queer no és prou queer com a pràctica de recerca i necessita treure’s del mig algunes antroponormativitats.<br /> <br /> En un taller d’un dia, ens reunirem temporalment per indagar plegades sobre el potencial analític queer de la tecnologia microbiana, animal, vegetal, mineral i cosmològica, situant-nos en aquestes escenes mundanes i seductores — prendrem el taller com una invitació a considerar aquestes labors i imaginar una vida col·lectiva diferent. Reflexionarem sobre les possibilitats i limitacions de la informàtica; i prendrem seriosament les forces afectives de màquines i animals no humans. Ens preguntem com podríem desplegar teories queer que es refereixen lesions no només a persones sinó a conjunts més que humans per considerar els danys compartits per humans i no humans? Com podem generar camins que ens portin més enllà de les narratives reparadores o de la utopia benèvola cap a una vida més que humana?<br /> <br /> Busquem dotar-nos d’un “fer” queer en entorns computacionals sinistres i en lloc de centrar-nos en el co-florida d’éssers humans i no humans, proposem parar esment als danys, lesions, sofriments i limitacions que s’imposen a les possibilitats de la vida i que es produeixen a través de la informàtica i les technociencias. Si ens centrem en una genealogia de lesions en els estudis queer, podem reconèixer la voluntat d’investigar aspectes més foscos de l’experiència? Com podríem redirigir les friccions de la tecnociència “queer” com alguna cosa que es relaciona amb la poderosa negativitat de queer com una forma de política punk en lloc d’un límit establert o centrar-se en les pràctiques sexuals de cossos ontològicament segurs i essencialment fixos? Aquest taller es proposa, per tant, com una composició col·lectiva de “com fer” recerca parcialment reparadora, sense garantia!!. El taller serà absolutament depenent dels danys i dificultats metodològiques que cada participant porti amb si mateixa.<br /> <br /> Aquest taller és Anti-Copyright<br /> Succeirà en anglès<br /> <br /> [[File:Cosmicrays1.gif]]<br /> <br /> + info -&gt; <br /> https://gridspinoza.net/en/projects/queering-damage-metodologies-reparacions-parcials-o-no</div>

Helen https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=150 2022-01-12T10:57:39Z

<p>Helen: </p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> '''<br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) <br /> <br /> = QÆ (QUEERING DAMAGE OR N)'''<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[about]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:QueeringDamage.pdf|Queering Damage Manual]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=149 2022-01-12T10:54:59Z

<p>Helen: </p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) = QÆ (QUEERING DAMAGE OR N)<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[about]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:QueeringDamage.pdf|Queering Damage Manual]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=Main_Page&diff=148 2022-01-12T10:52:32Z

<p>Helen: updated image size</p> <hr /> <div>[[File:Fotoactivitat.jpeg|800px| alt=This is a collage the top layer shows two cats tangled in balls of wool. The left layer shows a still image of Donna Haraway eating cake and the right layer shows a newspaper image of gfp fish in the hong kong harbour updside down]]<br /> <br /> '''QUEERING DAMAGE'''<br /> <br /> methodologies for partial reparation... or not<br /> <br /> [[about]]<br /> <br /> [[READER]]<br /> <br /> [[OPERATION 0]]<br /> <br /> [[OPERATION 1]]<br /> <br /> [[OPERATION 3]]<br /> <br /> [[OPERATION 2]]<br /> <br /> Download: [[:File:QueeringDamage.pdf|Queering Damage Manual]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_2&diff=94 2018-10-19T14:19:26Z

<p>Helen: </p> <hr /> <div><br /> αe QUEER ANALYTICS-- OPERATIONS + NONPROFIT EXPERIMENTS -- QUEER ANALYTICS OTHERWISE...OR NOT<br /> <br /> ᘒ ፨ ᚼ ◊ ᗶ + ^ + Æ (DAMAGE) / ∫ = ^ + ∬ / (xΩ , xΔ, xa, x∃, x©, x≠) +&gt;&gt; + i+*+ # +&quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) = QÆ (QUEERING DAMAGE OR N)<br /> <br /> αK SPECIFIC ENTANGLEMENT --- PARTIAL REFIGURED ENTANGLEMENT<br /> <br /> <br /> ----<br /> <br /> <br /> instructions:<br /> <br /> 1) define your field of interest - cut apart and togehter an area of urgency<br /> <br /> 2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)<br /> <br /> 3) divide by the axioms of αe (ethics) and αK (Kapital)<br /> <br /> 4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)<br /> <br /> <br /> 5) analyze and notate the Æ through a consideration of its Variable Relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)<br /> <br /> <br /> 6) apply at least one Generative Operation for your analysis <br /> <br /> 7) declare your QÆ = qH+qNH+qIH+qF+qd)<br /> <br /> 8) divide by the axioms of αe (ethics) and αK (Kapital)<br /> <br /> 9) = Name your refigured QAE... or not...<br /> <br /> <br /> <br /> <br /> <br /> ----<br /> -----------------------------<br /> <br /> ELEMENTS to work with:<br /> <br /> ---<br /> fabulated equations<br /> <br /> <br /> Forumlae: &quot;A formula is a special type of equation that shows the relationship between different variables&quot;<br /> <br /> <br /> Formula describes a scene<br /> <br /> Equation is to be solved<br /> <br /> <br /> Repertoir/leggenda: <br /> <br /> <br /> ///GENERATIVE OPERATIONS: <br /> <br /> &gt;&gt; remediate<br /> <br /> ^scale timespace to n<br /> <br /> i integrate<br /> <br /> &lt;nowiki&gt; * &lt;/nowiki&gt; multiply<br /> <br /> &lt;nowiki&gt; # &lt;/nowiki&gt; speculate<br /> <br /> &quot; renarrate<br /> <br /> ♥ love<br /> <br /> ↺protest<br /> <br /> ♙resist<br /> <br /> ♞reclaim<br /> <br /> ↻invent<br /> <br /> ✵flip<br /> <br /> ⚕celebrate<br /> <br /> <br /> ///VARIABLE RELATIONS<br /> <br /> Ω repair<br /> <br /> Δ damage<br /> <br /> a affects<br /> <br /> ∃ effects<br /> <br /> © creative force<br /> <br /> ≠difference<br /> <br /> <br /> ///AXIOMS <br /> <br /> αe axiom of ethics (survival, caretaking, respect, responsability)<br /> <br /> αK Kapital (accumulation, acquisition, growth)<br /> <br /> <br /> <br /> <br /> //FIELDS <br /> <br /> <br /> ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession<br /> <br /> ፨ On queer politics and methodologies, contestation, affirmation<br /> <br /> ᚼ On contesting anthronormativities<br /> <br /> ⚘ On bioeconomies, lively capital, accumulation<br /> <br /> ◊ On computation, analytics, bioinfotech<br /> <br /> ᗶ On political fictions, poethics, figurations &amp;/or wild fantasies, opportunities<br /> <br /> <br /> ----<br /> <br /> = '''queer analytics'''<br /> <br /> <br /> (D+h+ Mc) x Lauren Berlant = QA -- <br /> <br /> <br /> + at unicode chart -&gt; https://unicode-table.com/en/<br /> + tricks to write formulae: https://meta.wikimedia.org/wiki/Help:Displaying_a_formula</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=93 2018-10-19T12:07:40Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> or <br /> <br /> Consider another way to activate the Slime Mold outside of the lab protocols! Little Punks!! <br /> <br /> or <br /> <br /> 1.Work with the Activated Slime Mold to speculate with it: <br /> <br /> --<br /> <br /> How do we make space for nonhuman analytics? <br /> <br /> What might this be(always already)? What are the analytics of slime mold? Does it make sense to think the analytics of Slime Mold apart from ourselves/environments? <br /> <br /> What would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=92 2018-10-19T12:07:06Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> or <br /> <br /> Consider another way to activate the Slime Mold outside of the lab protocols! Little Punks!! <br /> <br /> or <br /> <br /> 1.Work withe the Activated Slime Mold to speculate with it: <br /> <br /> --<br /> <br /> How do we make space for nonhuman analytics? <br /> <br /> What might this be(always already)? What are the analytics of slime mold? Does it make sense to think the analytics of Slime Mold apart from ourselves/environments? <br /> <br /> What would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=91 2018-10-19T12:06:51Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> or <br /> <br /> Consider another way to activate the Slime Mold outside of the lab protocols! Little Punks!! <br /> <br /> or <br /> <br /> 1.Work withe the Activated Slime Mold to speculate with it: <br /> <br /> --<br /> <br /> How do we make space for nonhuman analytics? <br /> <br /> What might this be(always already)? What are the analytics of slime mold? Does it make sense to think the analytics of Slime Mold apart from ourselves/environments? <br /> <br /> What would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=90 2018-10-19T12:05:40Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> or <br /> <br /> Consider another way to activate the Slime Mold outside of the lab protocols! Little Punks!! <br /> <br /> <br /> ---Discussion-- Interlude-- <br /> <br /> 1. Take the activate Slime Mold to speculate with the Active Slime Mold<br /> <br /> <br /> How do we make space for nonhuman analytics? <br /> <br /> What might this be(always already)? What are the analytics of slime mold? Does it make sense to think the analytics of Slime Mold apart from ourselves/environemnts? <br /> <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=89 2018-10-19T11:53:38Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> <br /> ---Discussion-- Interlude-- <br /> <br /> 1. Take the activate Slime Mold to speculate with the Active Slime Mold<br /> <br /> <br /> How do we make space for nonhuman analytics? <br /> <br /> What might this be(always already)? What are the analytics of slime mold? Does it make sense to think the analytics of Slime Mold apart from ourselves/environemnts? <br /> <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=88 2018-10-19T11:53:14Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> <br /> ---Discussion-- Interlude-- <br /> <br /> 1. Take the activate Slime Mold to speculate with the Active Slime Mold<br /> <br /> <br /> - How do we make space for nonhuman analytics? <br /> <br /> - What might this be(always already)? What are the analytics of slime mold? Does it make sense to think the analytics of Slime Mold apart from ourselves/environemnts? <br /> <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=87 2018-10-19T11:48:39Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> Slime Mold Figurations and Imaginations:<br /> <br /> ----<br /> <br /> Activating Physarum polycephalum from Selerotium: <br /> <br /> To activate the Slime Mold following the instructions provided by the lab: (other alternatives are possible!)<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> or<br /> <br /> 1.Place paper in the base of the petri dish/or other site<br /> <br /> 2. Moisten the paper with a couple of drops<br /> <br /> 3. Place the Sclerotium face up on the paper <br /> <br /> 4. Place some oats in the dish.<br /> <br /> 5. Place in a dark place<br /> <br /> <br /> ---Discussion-- Interlude-- <br /> <br /> 1. Take the activate Slime Mold to speculate with the Active Slime Mold<br /> <br /> <br /> 7.How do we make space for nonhuman analytics? <br /> <br /> 8. What might this be? What are the analytics of slime mold? <br /> <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=58 2018-10-19T01:13:48Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> ---Discussion-- Interlude-- whilst we let it cool---<br /> <br /> 3. Slime Mold Figurations and Imaginations<br /> <br /> ---<br /> <br /> Culture a Slime mold from the inactive sample<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> <br /> ---<br /> <br /> <br /> Speculate with the Active Slime Mold<br /> <br /> <br /> 7.How do we make space for nonhuman analytics? <br /> <br /> 8. What might this be? What are the analytics of slime mold? <br /> <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=57 2018-10-19T01:12:39Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> 1. Spoon off some Agar and make liquid<br /> <br /> 2. Next line a petri with the Agar approx 5mm + let it cool<br /> <br /> ---<br /> <br /> 3. Slime Mold Figurations and Imaginations<br /> <br /> ---<br /> <br /> Culture a Slime mold from the inactive sample<br /> <br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> <br /> 5. Place some oats in the dish<br /> <br /> 6. Place in a dark place. <br /> <br /> <br /> ---<br /> <br /> <br /> Speculate with the Active Slime Mold<br /> <br /> <br /> 7.How do we make space for nonhuman analytics? <br /> <br /> 8. What might this be? What are the analytics of slime mold? <br /> <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? <br /> <br /> 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_3&diff=56 2018-10-19T01:10:26Z

<p>Helen: </p> <hr /> <div>operation 3: wetlab subculturing (=dreamed formulae).<br /> <br /> 1. Spoon off some Agar and make liquid<br /> 2. Next line a petri with the Agar approx 5mm <br /> 2. Let it cool<br /> ---<br /> 3. Slime Mold Figurations and Imaginations<br /> ---<br /> Culture a Slime mold from the inactive sample<br /> <br /> 4. Place the Slime mold face down on the Agar and moisten the paper with a couple of drops of water<br /> 5. Place some oats in the dish<br /> 6. Place in a dark place. <br /> <br /> ---<br /> <br /> Speculate with the Active Slime Mold<br /> <br /> 7.How do we make space for nonhuman analytics? <br /> 8. What might this be? What are the analytics of slime mold? <br /> 9. what would other analytics bring, such as dreaming with the wetlab, bitflipping as an analytics, or rotting with the wetlab as an analytics? 10. Speculate fabulate some new analytics, political fictions &amp;/or wild fantasies formulae with the slime mold and document them. <br /> [[File:Slime-molds-23.jpg]]</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_1&diff=53 2018-10-18T22:41:58Z

<p>Helen: </p> <hr /> <div>Hereby some ensembles that gather damage in different modes: <br /> <br /> * Transgenic Living Sensor Fish<br /> <br /> On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. <br /> <br /> GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. <br /> <br /> * Hydraponic fish for permacutlure (Helen) <br /> - what is going on here? <br /> Permaculture visions in which fish filter the water for plants<br /> - which are the agents implied? alive or not, human or not, powerful or powerless: Permaculture experts, fish many species who can live in fish tanks for example goldfish, tanks, plants, compounds, fossil fuels (or lack of), climate, soil(in its absence). <br /> - wheres? spatiality / situatedness / displacements / distribution: permaculture communities, homes, gardens, destroyed soils. <br /> - whens? temporality / durability / existing / extinct / repeated: enduring, replaceable, repeated, near futures, possible futures, <br /> - semiotic-materialities: what signs and matters are at work in this ensemble?: alternative economies, permaculture agriculture, survival politics, off grid politics, speculative futures, food futures, fish corporealities, capacities of fish bodies to clean and filter water, imaginaries of symbiosis, fish as less animate, fish as labourer, fish as tool/source. <br /> - Your entanglement with the scene: writing about it here, learning about it in a permaculture promotion talk from Starhawk.<br /> - can a pattern be identified here? not accounting for the liveliness of fish, exploitation of fish creative force, anthropocentrism, anthronormativity in future visionings to protect human life. to what extent is this damage structural, or singular? fish damage, plant growth, human food, and entangled web of suffering and damage. <br /> <br /> * biological computation <br /> - what is going on here? <br /> Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating <br /> models and designs for immunisations and pharmaceuticals. <br /> - which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.<br /> - wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. <br /> - whens? temporality / durability / existing / extinct / repeated: as fast as possible by some, maybe as slow as possible by others <br /> - semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.<br /> - Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.<br /> - can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled<br /> <br /> * chip critters (Helen)<br /> - what is going on here? Use of microbes as a computer component - often used to signal toxicity in harmful scenes such as oil spills or waste plants. <br /> - which are the agents implied? alive or not, human or not, powerful or powerless microbes such as bacterias or algae, waste managers, oil spill cleanup workers, other nonhumans also at risk of toxicity from these scenes such as plants, marine life etc, at risk human workers, human residents in these scenes, network infrastructures, software, servers, clouds, silicon, chips, sensor labs - hi tech, life INC, workers in the global south.<br /> - wheres? spatiality / situatedness / displacements / distribution: global south component production, chip production in sensor labs clean rooms, toxic scenes landfill, mining waste, spill sites and their distributions globally. Monitoring or remediation takes sites at places where government/corporations/those with resources demarcate human/nonhuman others as needing protection.<br /> - whens? temporality / durability / existing / extinct / repeated: crisis crisis crisis, post drill, post spill , post kill.<br /> - semiotic-materialities: what signs and matters are at work in this ensemble? Toxic for some but not others, protection for some but not others, sometimes anthocentrism, benavolence, imaginaries of environmental protection, electrons, proteins, minerals, endocrines, bodily processes, contaminants, PCBS, chemical infrastrucures, gender panic. <br /> - Your entanglement with the scene: user of fossil fuels, ethnography of chips, environmental concerns<br /> - can a pattern be identified here? patterning datas, who gets to matter, patterns of injury, matabolisms to what extent is this damage structural, or singular? both?<br /> <br /> * cryopolitics (jxxx)<br /> - what is going on here? -&gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.<br /> - which are the agents implied? alive or not, human or not, powerful or powerless -&gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, <br /> - wheres? spatiality / situatedness / displacements / distribution -&gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, <br /> - whens? temporality / durability / existing / extinct / repeated -&gt; now-or-never, in your 30's, below zero, <br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> <br /> * endocrine disruption (jxxx)<br /> [[File:A2996_Aliens_in_Green_IB_small.jpg]] <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * turbocapitalism (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cosmic rays and bit flipping (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * aqua_forensic (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Botanist - Tsing (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Oncomouse (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * GMO bacteria (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_1&diff=51 2018-10-18T22:21:10Z

<p>Helen: </p> <hr /> <div>Hereby some ensembles that gather damage in different modes: <br /> <br /> * Transgenic Living Sensor Fish<br /> <br /> On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. <br /> <br /> GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. <br /> <br /> * Hydraponic fish for permacutlure (Helen) <br /> - what is going on here? <br /> Permaculture visions in which fish filter the water for plants<br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * biological computation <br /> - what is going on here? <br /> Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating <br /> models and designs for immunisations and pharmaceuticals. <br /> - which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.<br /> - wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. <br /> - whens? temporality / durability / existing / extinct / repeated: as fast as possible by some, maybe as slow as possible by others <br /> - semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.<br /> - Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.<br /> - can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled<br /> <br /> * chip critters (Helen)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cryopolitics (jxxx)<br /> - what is going on here? -&gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.<br /> - which are the agents implied? alive or not, human or not, powerful or powerless -&gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, <br /> - wheres? spatiality / situatedness / displacements / distribution -&gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, <br /> - whens? temporality / durability / existing / extinct / repeated -&gt; now-or-never, in your 30's, below zero, <br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> <br /> * endocrine disruption (jxxx)<br /> [[File:A2996_Aliens_in_Green_IB_small.jpg]] <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * turbocapitalism (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cosmic rays and bit flipping (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * aqua_forensic (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Botanist - Tsing (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Oncomouse (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * GMO bacteria (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_1&diff=50 2018-10-18T22:20:08Z

<p>Helen: </p> <hr /> <div>Hereby some ensembles that gather damage in different modes: <br /> <br /> * Transgenic Living Sensor Fish<br /> <br /> On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. <br /> <br /> GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. <br /> <br /> * Hydraponic fish for permacutlure (Helen) <br /> - what is going on here? <br /> Permaculture visions in which fish filter the water for plants<br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * biological computation <br /> - what is going on here? <br /> Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating <br /> models and designs for immunisations and pharmaceuticals. <br /> - which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. <br /> - whens? temporality / durability / existing / extinct / repeated: as fast as possible by some, maybe as slow as possible by others <br /> - semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.<br /> - Your entanglement with the scene<br /> watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.<br /> - can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled<br /> <br /> * chip critters (Helen)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cryopolitics (jxxx)<br /> - what is going on here? -&gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.<br /> - which are the agents implied? alive or not, human or not, powerful or powerless -&gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, <br /> - wheres? spatiality / situatedness / displacements / distribution -&gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, <br /> - whens? temporality / durability / existing / extinct / repeated -&gt; now-or-never, in your 30's, below zero, <br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> <br /> * endocrine disruption (jxxx)<br /> [[File:A2996_Aliens_in_Green_IB_small.jpg]] <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * turbocapitalism (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cosmic rays and bit flipping (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * aqua_forensic (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Botanist - Tsing (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Oncomouse (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * GMO bacteria (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_1&diff=49 2018-10-18T22:03:03Z

<p>Helen: </p> <hr /> <div>Hereby some ensembles that gather damage in different modes: <br /> <br /> * Transgenic Living Sensor Fish<br /> <br /> On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. <br /> <br /> GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. <br /> <br /> * Hydraponic fish for permacutlure (Helen) <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * biological computation (Helen) <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * chip critters (Helen)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cryopolitics (jxxx)<br /> - what is going on here? -&gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.<br /> - which are the agents implied? alive or not, human or not, powerful or powerless -&gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, <br /> - wheres? spatiality / situatedness / displacements / distribution -&gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, <br /> - whens? temporality / durability / existing / extinct / repeated -&gt; now-or-never, in your 30's, below zero, <br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> <br /> * endocrine disruption (jxxx)<br /> [[File:A2996_Aliens_in_Green_IB_small.jpg]] <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * turbocapitalism (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cosmic rays and bit flipping (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * aqua_forensic (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Botanist - Tsing (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Oncomouse (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * GMO bacteria (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_1&diff=48 2018-10-18T22:01:36Z

<p>Helen: </p> <hr /> <div>Hereby some ensembles that gather damage in different modes: <br /> <br /> * Transgenic fish (Helen)<br /> <br /> On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. <br /> <br /> GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. <br /> <br /> * Hydraponic fish for permacutlure (Helen) <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * biological computation (Helen) <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * chip critters (Helen)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cryopolitics (jxxx)<br /> - what is going on here? -&gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.<br /> - which are the agents implied? alive or not, human or not, powerful or powerless -&gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, <br /> - wheres? spatiality / situatedness / displacements / distribution -&gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, <br /> - whens? temporality / durability / existing / extinct / repeated -&gt; now-or-never, in your 30's, below zero, <br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> <br /> * endocrine disruption (jxxx)<br /> [[File:A2996_Aliens_in_Green_IB_small.jpg]] <br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * turbocapitalism (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * cosmic rays and bit flipping (jxxx)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * aqua_forensic (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Botanist - Tsing (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * Oncomouse (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?<br /> <br /> * GMO bacteria (laura)<br /> - what is going on here? <br /> - which are the agents implied? alive or not, human or not, powerful or powerless<br /> - wheres? spatiality / situatedness / displacements / distribution<br /> - whens? temporality / durability / existing / extinct / repeated<br /> - semiotic-materialities: what signs and matters are at work in this ensemble?<br /> - Your entanglement with the scene<br /> - can a pattern be identified here? to what extent is this damage structural, or singular?</div>

Helen https://queeringdamage.hangar.org/index.php?title=READER&diff=47 2018-10-18T21:52:13Z

<p>Helen: </p> <hr /> <div>''''Reader: Queering damage: methodologies for partial reparations… or not…''''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=READER&diff=46 2018-10-18T21:52:01Z

<p>Helen: </p> <hr /> <div>Reader<br /> ''''Reader: Queering damage: methodologies for partial reparations… or not…''''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=READER&diff=45 2018-10-18T21:51:45Z

<p>Helen: Created page with &quot;Reader 'Reader: Queering damage: methodologies for partial reparations… or not…' ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted La...&quot;</p> <hr /> <div>Reader<br /> 'Reader: Queering damage: methodologies for partial reparations… or not…'<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=Reader&diff=44 2018-10-18T21:50:35Z

<p>Helen: </p> <hr /> <div>''''''Reader: Queering damage: methodologies for partial reparations… or not…''''''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of<br /> the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary<br /> innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of<br /> Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-<br /> Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press,<br /> 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological<br /> Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley<br /> &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist<br /> ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953)<br /> https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=Reader&diff=43 2018-10-18T21:50:22Z

<p>Helen: </p> <hr /> <div>''''''Reader: Queering damage: methodologies for<br /> partial reparations… or not…''''''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of<br /> the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary<br /> innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of<br /> Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-<br /> Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press,<br /> 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological<br /> Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley<br /> &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist<br /> ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953)<br /> https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=Reader&diff=42 2018-10-18T21:49:29Z

<p>Helen: </p> <hr /> <div>'''Reader: Queering damage: methodologies for<br /> partial reparations… or not…'''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of<br /> the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary<br /> innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of<br /> Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-<br /> Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press,<br /> 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological<br /> Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley<br /> &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist<br /> ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953)<br /> https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=Reader&diff=41 2018-10-18T21:49:18Z

<p>Helen: </p> <hr /> <div>'''Reader: Queering damage: methodologies for<br /> partial reparations… or not…'''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of<br /> the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary<br /> innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of<br /> Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-<br /> Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press,<br /> 2017.<br /> <br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological<br /> Paradigm(2017)<br /> <br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley<br /> &amp; Sons, 2013.<br /> <br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist<br /> ruins. Princeton University Press, 2015.<br /> <br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> <br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> <br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> <br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> <br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> <br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> <br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953)<br /> https://www.youtube.com/watch?v=YaLoealsVmE<br /> <br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=Reader&diff=40 2018-10-18T21:48:54Z

<p>Helen: </p> <hr /> <div>'''Reader: Queering damage: methodologies for<br /> partial reparations… or not…'''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of<br /> the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> <br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary<br /> innovation (1991): 1-14.<br /> <br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> <br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of<br /> Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> <br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-<br /> Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press,<br /> 2017.<br /> <br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological<br /> Paradigm(2017)<br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley<br /> &amp; Sons, 2013.<br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist<br /> ruins. Princeton University Press, 2015.<br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953)<br /> https://www.youtube.com/watch?v=YaLoealsVmE<br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=Reader&diff=39 2018-10-18T21:48:34Z

<p>Helen: Created page with &quot;'''Reader: Queering damage: methodologies for partial reparations… or not…''' ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Lands...&quot;</p> <hr /> <div>'''Reader: Queering damage: methodologies for<br /> partial reparations… or not…'''<br /> <br /> ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &quot;Haunted Landscapes of<br /> the Anthropocene.&quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.<br /> ፨ ᘒ ᚼ ᗶ Margulis, Lynn. &quot;Symbiogenesis and symbionticism.&quot; Symbiosis as a source of evolutionary<br /> innovation (1991): 1-14.<br /> ፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.<br /> ፨ *Ω Goodwin, Adam. &quot;Evolution and Anarchism in International Relations: The Challenge of<br /> Kropotkin’s Biological Ontology.&quot; Millennium 39, no. 2 (2010): 417-437.<br /> ፨ ᘒ ᚼ ᗶ Bhang, Aimee. &quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-<br /> Queer Commons. &quot; In the Queer Feminist Science Studies Reader. University of Washington Press,<br /> 2017.<br /> ⚘ &gt;&gt; Parisi, Luciana. &quot;Computational logic and ecological rationality.&quot; General Ecology: The New Ecological<br /> Paradigm(2017)<br /> ፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley<br /> &amp; Sons, 2013.<br /> ፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist<br /> ruins. Princeton University Press, 2015.<br /> ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)<br /> ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.<br /> ፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).<br /> ፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.<br /> ◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp; Relearn, 2016)<br /> ፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.<br /> ^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953)<br /> https://www.youtube.com/watch?v=YaLoealsVmE<br /> ፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_0&diff=26 2018-10-18T18:12:40Z

<p>Helen: </p> <hr /> <div><br /> We wanted to start by sharing some of our starting points and how we came together to think that damage and queering damage could be generative starting points for a conversation with some of the collective activties at Hangar. Jara, Laura and Helen (We =) were gathered at the Ageing Companions workshop, at Constant, discussing what it might mean to rot together or to riot together. How we might engage with the processes of damage and being damaged that we were experiencing, witnessing, feeling out, touching on in our practices but also how we might be in conversations with others who were dealing with damage, injury, repair, restoration, composting, speculating, in ways that could hold the damage rather than try to smooth it out, remedy it, hide it, in process of collective reparation. <br /> <br /> Last summer there was a powerful leap towards the potential of turning damage analysis into a queer methodology.<br /> <br /> But first perhaps it's fair to explain ourselves what we find urgent in those elements, so:<br /> <br /> - Damage - We would like to widen the notion of damage and identify its conditions and surrounding through examples, practices things we come into contact with, and by damage we mean things like: pain, suffering, injury, uselessness, unrevoerability, unreparability, homophobia, racism, ageism, ableims, specism, classism, exclusions, inclusions, // No tienen por qué ser daños experimentados personalmente: pueden ser daños observados, o daños colectivos. Puede ser daño corporal, daño comunitario, daño medioambiental, daño personal, daño histórico, daño público, daño ficticio, daño cultural, daño de archivo, daño estructural, daño naturalizado, daño informático, daño urbano, daño trangeneracional, daño geopolítico... etc.Also we are interestedin how to make practuces that damage .. such as damaging institutions, damaging power structures, damaging fossil fuel economies. --- basically we might have to fuck some shitup.. on the way to repair. but that even with damage sometimes fucking shit up can seem difficult.. <br /> <br /> - Queering [we tell our aneqdote of last time we were in hangar] - what does it mean? non-identitary, non-essentialist, non-fixed lives // trans*feminist approach: interesctional, not-only-human, antinormative, affirmative...<br /> <br /> (partial) Reparation - We want to propose perhaps that we can have some partial hopes to repair some damages but not others, or to live with damage in ways that give comfort and care<br /> The semiotic-material lives to which damage happens are complex entanglements. Reparation is not taken here as a developmentalist move nor a progressist tecnique to keep complexity up and healthy and sharpened no matterhow, but as as basic gesture of trying to organize a togetherness that counts.<br /> <br /> Queering Methodologies -- Methodologies: Focus on how we generate data, knowledge, stories, as part of feminist research practices.. Although we are aware that we are a diverse group in which each person's practice might evoke different definitions of method.In other words, how can we, as Octavia Butler might say,<br /> uphold a politics of queer survival?<br /> <br /> Analytics (discovery, interpretation, and communication of meaningful patterns in data) : post-positive move. A shared word, but many ways to approach that. If you search for analytics online you come across thousands of corporate companies who offer analytical services, services that draw conclusions through running algorithms over data sets, and we feel it is urgent to reclaim analytics in non profit experiments and in processes that might give space to other ways of understanding data, art practice, movement, bodies, thinking with other species, or different types of computation. We can reclaim analytics as the practice of cutting complexity together apart. To take on the both the injuries caused by analytics and how they are instrumentalised to provide (situated, temporary) truths about lives living the possible ways of living and also to take on how we might invent/generate/build on an analytics for trans-femisnit work that stays with damage... //</div>

Helen https://queeringdamage.hangar.org/index.php?title=OPERATION_0&diff=22 2018-10-18T18:10:09Z

<p>Helen: </p> <hr /> <div><br /> We wanted to start by sharing some of our starting points and how we came together to think that damage and queering damage could be generative starting points for a conversation with some of the collective activties at Hangar. Jara, Laura and Helen (We =) were gathered at the Ageing Companions workshop, at Constant, discussing what it might mean to rot together or to riot together. How we might engage with the processes of damage and being damaged that we were experiencing, witnessing, feeling out, touching on in our practices but also how we might be in conversations with others who were dealing with damage, injury, repair, restoration, composting, speculating, in ways that could hold the damage rather than try to smooth it out, remedy it, hide it, in process of collective reparation. <br /> <br /> Last summer there was a powerful leap towards the potential of turning damage analysis into a queer methodology.<br /> <br /> But first perhaps it's fair to explain ourselves what we find urgent in those elements, so:<br /> <br /> - Damage - We would like to widen the notion of damage and identify its conditions and surrounding through examples, practices things we come into contact with, and by damage we mean things like: pain, suffering, injury, uselessness, unrevoerability, unreparability, homophobia, racism, ageism, ableims, specism, classism, exclusions, inclusions, // No tienen por qué ser daños experimentados personalmente: pueden ser daños observados, o daños colectivos. Puede ser daño corporal, daño comunitario, daño medioambiental, daño personal, daño histórico, daño público, daño ficticio, daño cultural, daño de archivo, daño estructural, daño naturalizado, daño informático, daño urbano, daño trangeneracional, daño geopolítico... etc.Also we are interestedin how to make practuces that damage .. such as damaging institutions, damaging power structures, damaging fossil fuel economies. --- basically we might have to fuck some shitup.. on the way to repair. but that even with damage sometimes fucking shit up can seem difficult.. <br /> <br /> - Queering [we tell our aneqdote of last time we were in hangar] - what does it mean? non-identitary, non-essentialist, non-fixed lives // trans*feminist approach: interesctional, not-only-human, antinormative, affirmative...<br /> <br /> (partial) Reparation - We want to propose perhaps that we can have some partial hopes to repair some damages but not others, or to live with damage in ways that give comfort and care<br /> The semiotic-material lives to which damage happens are complex entanglements. Reparation is not taken here as a developmentalist move nor a progressist tecnique to keep complexity up and healthy and sharpened nomatterhow, but as as basic gesture of trying to organize a togetherness that counts.<br /> <br /> Queering Methodologies -- Methodologies: Focus on how we generate data, knowledge, stories, as part of feminist research practices.. Although we are aware that we are a diverse group in which each person's practice might evoke different definitions of method.In other words, how can we, as Octavia Butler might say,<br /> uphold a politics of queer survival?<br /> <br /> Analytics (discovery, interpretation, and communication of meaningful patterns in data) : post-positive move. A shared word, but many ways to approach that. If you search for analytics online you come across thousands of corporate companies who offer analytical services, services that draw conclusions through running algorithms over data sets, and we feel it is urgent to reclaim analytics in non profit experiments and in processes that might give space to other ways of understanding data, art practice, movement, bodies, thinking with other species, or different types of computation. We can reclaim analytics as the practice of cutting complexity together apart. To take on the both the injuries caused by analytics and how they are instrumentalised to provide (situated, temporary) truths about lives living the possible ways of living and also to take on how we might invent/generate/build on an analytics for trans-femisnit work that stays with damage... //</div>

Helen