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		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=142</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=142"/>
		<updated>2018-10-24T14:28:01Z</updated>

		<summary type="html">&lt;p&gt;Jara: /* [CAT] */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
(ENG + CAT below)&lt;br /&gt;
&lt;br /&gt;
== '''[CAST]''' == &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[ENG]''' ==&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[CAT]''' ==&lt;br /&gt;
&lt;br /&gt;
A mesura que els organismes genèticament modificats “dissenyats” com a components informàtics s’inscriuen en els esdevenirs ambientals de la remediació, i proliferen les nostres salvatges fantasies de (micro)*bio-analítica generant capital viu, els tripijocs tecno-ambientals i les seves ficcions polítiques estan invocant pràctiques a l’escala del “fer-món”. La computació ambiental i la seva producció de nous arranjaments ecològics s’estén molt més allà del laboratori -explotant intensivament les labors vives i les friccions d’animals i organismes no humans a través de pràctiques afectives, semiòtiques i materials cada vegada més accelerades-. Les nostres co-composicions/esdevenirs tant amb internet com amb altres xarxes i/o dispositius digitals s’embullen cada vegada més en els nostres “nosaltres” no-locals. Aquestes escenes exploten organismes no humans per sostenir maneres particulars de vida; no obstant això, aquestes explotacions també creen oportunitats per a reparacions i per a la impugnació creativa – el que provoca la urgència de queerificar els “com es fa”! El nostre repte col·lectiu és que la tecnociència queer no és prou queer com a pràctica de recerca i necessita treure’s del mig algunes antroponormativitats.&lt;br /&gt;
&lt;br /&gt;
En un taller d’un dia, ens reunirem temporalment per indagar plegades sobre el potencial analític queer de la tecnologia microbiana, animal, vegetal, mineral i cosmològica, situant-nos en aquestes escenes mundanes i seductores — prendrem el taller com una invitació a considerar aquestes labors i imaginar una vida col·lectiva diferent. Reflexionarem sobre les possibilitats i limitacions de la informàtica; i prendrem seriosament les forces afectives de màquines i animals no humans. Ens preguntem com podríem desplegar teories queer que es refereixen lesions no només a persones sinó a conjunts més que humans per considerar els danys compartits per humans i no humans? Com podem generar camins que ens portin més enllà de les narratives reparadores o de la utopia benèvola cap a una vida més que humana?&lt;br /&gt;
&lt;br /&gt;
Busquem dotar-nos d’un “fer” queer en entorns computacionals sinistres i en lloc de centrar-nos en el co-florida d’éssers humans i no humans, proposem parar esment als danys, lesions, sofriments i limitacions que s’imposen a les possibilitats de la vida i que es produeixen a través de la informàtica i les technociencias. Si ens centrem en una genealogia de lesions en els estudis queer, podem reconèixer la voluntat d’investigar aspectes més foscos de l’experiència? Com podríem redirigir les friccions de la tecnociència “queer” com alguna cosa que es relaciona amb la poderosa negativitat de queer com una forma de política punk en lloc d’un límit establert o centrar-se en les pràctiques sexuals de cossos ontològicament segurs i essencialment fixos? Aquest taller es proposa, per tant, com una composició col·lectiva de “com fer” recerca parcialment reparadora, sense garantia!!. El taller serà absolutament depenent dels danys i dificultats metodològiques que cada participant porti amb si mateixa.&lt;br /&gt;
&lt;br /&gt;
Aquest taller és Anti-Copyright&lt;br /&gt;
Succeirà en anglès&lt;br /&gt;
&lt;br /&gt;
[[File:Cosmicrays1.gif]]&lt;br /&gt;
&lt;br /&gt;
+ info -&amp;gt; &lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Cosmicrays1.gif&amp;diff=141</id>
		<title>File:Cosmicrays1.gif</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Cosmicrays1.gif&amp;diff=141"/>
		<updated>2018-10-24T14:26:42Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=140</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=140"/>
		<updated>2018-10-24T14:18:21Z</updated>

		<summary type="html">&lt;p&gt;Jara: /* [CAT] */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
(ENG + CAT below)&lt;br /&gt;
&lt;br /&gt;
== '''[CAST]''' == &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[ENG]''' ==&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[CAT]''' ==&lt;br /&gt;
&lt;br /&gt;
A mesura que els organismes genèticament modificats “dissenyats” com a components informàtics s’inscriuen en els esdevenirs ambientals de la remediació, i proliferen les nostres salvatges fantasies de (micro)*bio-analítica generant capital viu, els tripijocs tecno-ambientals i les seves ficcions polítiques estan invocant pràctiques a l’escala del “fer-món”. La computació ambiental i la seva producció de nous arranjaments ecològics s’estén molt més allà del laboratori -explotant intensivament les labors vives i les friccions d’animals i organismes no humans a través de pràctiques afectives, semiòtiques i materials cada vegada més accelerades-. Les nostres co-composicions/esdevenirs tant amb internet com amb altres xarxes i/o dispositius digitals s’embullen cada vegada més en els nostres “nosaltres” no-locals. Aquestes escenes exploten organismes no humans per sostenir maneres particulars de vida; no obstant això, aquestes explotacions també creen oportunitats per a reparacions i per a la impugnació creativa – el que provoca la urgència de queerificar els “com es fa”! El nostre repte col·lectiu és que la tecnociència queer no és prou queer com a pràctica de recerca i necessita treure’s del mig algunes antroponormativitats.&lt;br /&gt;
&lt;br /&gt;
En un taller d’un dia, ens reunirem temporalment per indagar plegades sobre el potencial analític queer de la tecnologia microbiana, animal, vegetal, mineral i cosmològica, situant-nos en aquestes escenes mundanes i seductores — prendrem el taller com una invitació a considerar aquestes labors i imaginar una vida col·lectiva diferent. Reflexionarem sobre les possibilitats i limitacions de la informàtica; i prendrem seriosament les forces afectives de màquines i animals no humans. Ens preguntem com podríem desplegar teories queer que es refereixen lesions no només a persones sinó a conjunts més que humans per considerar els danys compartits per humans i no humans? Com podem generar camins que ens portin més enllà de les narratives reparadores o de la utopia benèvola cap a una vida més que humana?&lt;br /&gt;
&lt;br /&gt;
Busquem dotar-nos d’un “fer” queer en entorns computacionals sinistres i en lloc de centrar-nos en el co-florida d’éssers humans i no humans, proposem parar esment als danys, lesions, sofriments i limitacions que s’imposen a les possibilitats de la vida i que es produeixen a través de la informàtica i les technociencias. Si ens centrem en una genealogia de lesions en els estudis queer, podem reconèixer la voluntat d’investigar aspectes més foscos de l’experiència? Com podríem redirigir les friccions de la tecnociència “queer” com alguna cosa que es relaciona amb la poderosa negativitat de queer com una forma de política punk en lloc d’un límit establert o centrar-se en les pràctiques sexuals de cossos ontològicament segurs i essencialment fixos? Aquest taller es proposa, per tant, com una composició col·lectiva de “com fer” recerca parcialment reparadora, sense garantia!!. El taller serà absolutament depenent dels danys i dificultats metodològiques que cada participant porti amb si mateixa.&lt;br /&gt;
&lt;br /&gt;
Aquest taller és Anti-Copyright&lt;br /&gt;
Succeirà en anglès&lt;br /&gt;
&lt;br /&gt;
[[File:PWFU6595-1024x683.jpg]]&lt;br /&gt;
&lt;br /&gt;
+ info -&amp;gt; &lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=139</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=139"/>
		<updated>2018-10-24T14:17:04Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
(ENG + CAT below)&lt;br /&gt;
&lt;br /&gt;
== '''[CAST]''' == &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[ENG]''' ==&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[CAT]''' ==&lt;br /&gt;
&lt;br /&gt;
A mesura que els organismes genèticament modificats “dissenyats” com a components informàtics s’inscriuen en els esdevenirs ambientals de la remediació, i proliferen les nostres salvatges fantasies de (micro)*bio-analítica generant capital viu, els tripijocs tecno-ambientals i les seves ficcions polítiques estan invocant pràctiques a l’escala del “fer-món”. La computació ambiental i la seva producció de nous arranjaments ecològics s’estén molt més allà del laboratori -explotant intensivament les labors vives i les friccions d’animals i organismes no humans a través de pràctiques afectives, semiòtiques i materials cada vegada més accelerades-. Les nostres co-composicions/esdevenirs tant amb internet com amb altres xarxes i/o dispositius digitals s’embullen cada vegada més en els nostres “nosaltres” no-locals. Aquestes escenes exploten organismes no humans per sostenir maneres particulars de vida; no obstant això, aquestes explotacions també creen oportunitats per a reparacions i per a la impugnació creativa – el que provoca la urgència de queerificar els “com es fa”! El nostre repte col·lectiu és que la tecnociència queer no és prou queer com a pràctica de recerca i necessita treure’s del mig algunes antroponormativitats.&lt;br /&gt;
&lt;br /&gt;
En un taller d’un dia, ens reunirem temporalment per indagar plegades sobre el potencial analític queer de la tecnologia microbiana, animal, vegetal, mineral i cosmològica, situant-nos en aquestes escenes mundanes i seductores — prendrem el taller com una invitació a considerar aquestes labors i imaginar una vida col·lectiva diferent. Reflexionarem sobre les possibilitats i limitacions de la informàtica; i prendrem seriosament les forces afectives de màquines i animals no humans. Ens preguntem com podríem desplegar teories queer que es refereixen lesions no només a persones sinó a conjunts més que humans per considerar els danys compartits per humans i no humans? Com podem generar camins que ens portin més enllà de les narratives reparadores o de la utopia benèvola cap a una vida més que humana?&lt;br /&gt;
&lt;br /&gt;
Busquem dotar-nos d’un “fer” queer en entorns computacionals sinistres i en lloc de centrar-nos en el co-florida d’éssers humans i no humans, proposem parar esment als danys, lesions, sofriments i limitacions que s’imposen a les possibilitats de la vida i que es produeixen a través de la informàtica i les technociencias. Si ens centrem en una genealogia de lesions en els estudis queer, podem reconèixer la voluntat d’investigar aspectes més foscos de l’experiència? Com podríem redirigir les friccions de la tecnociència “queer” com alguna cosa que es relaciona amb la poderosa negativitat de queer com una forma de política punk en lloc d’un límit establert o centrar-se en les pràctiques sexuals de cossos ontològicament segurs i essencialment fixos? Aquest taller es proposa, per tant, com una composició col·lectiva de “com fer” recerca parcialment reparadora, sense garantia!!. El taller serà absolutament depenent dels danys i dificultats metodològiques que cada participant porti amb si mateixa.&lt;br /&gt;
&lt;br /&gt;
Aquest taller és Anti-Copyright&lt;br /&gt;
Succeirà en anglès&lt;br /&gt;
&lt;br /&gt;
[[File:Example.jpg]]&lt;br /&gt;
&lt;br /&gt;
+ info -&amp;gt; &lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=138</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=138"/>
		<updated>2018-10-24T14:16:46Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
== '''[CAST]''' == (ENG + CAT below)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[ENG]''' ==&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[CAT]''' ==&lt;br /&gt;
&lt;br /&gt;
A mesura que els organismes genèticament modificats “dissenyats” com a components informàtics s’inscriuen en els esdevenirs ambientals de la remediació, i proliferen les nostres salvatges fantasies de (micro)*bio-analítica generant capital viu, els tripijocs tecno-ambientals i les seves ficcions polítiques estan invocant pràctiques a l’escala del “fer-món”. La computació ambiental i la seva producció de nous arranjaments ecològics s’estén molt més allà del laboratori -explotant intensivament les labors vives i les friccions d’animals i organismes no humans a través de pràctiques afectives, semiòtiques i materials cada vegada més accelerades-. Les nostres co-composicions/esdevenirs tant amb internet com amb altres xarxes i/o dispositius digitals s’embullen cada vegada més en els nostres “nosaltres” no-locals. Aquestes escenes exploten organismes no humans per sostenir maneres particulars de vida; no obstant això, aquestes explotacions també creen oportunitats per a reparacions i per a la impugnació creativa – el que provoca la urgència de queerificar els “com es fa”! El nostre repte col·lectiu és que la tecnociència queer no és prou queer com a pràctica de recerca i necessita treure’s del mig algunes antroponormativitats.&lt;br /&gt;
&lt;br /&gt;
En un taller d’un dia, ens reunirem temporalment per indagar plegades sobre el potencial analític queer de la tecnologia microbiana, animal, vegetal, mineral i cosmològica, situant-nos en aquestes escenes mundanes i seductores — prendrem el taller com una invitació a considerar aquestes labors i imaginar una vida col·lectiva diferent. Reflexionarem sobre les possibilitats i limitacions de la informàtica; i prendrem seriosament les forces afectives de màquines i animals no humans. Ens preguntem com podríem desplegar teories queer que es refereixen lesions no només a persones sinó a conjunts més que humans per considerar els danys compartits per humans i no humans? Com podem generar camins que ens portin més enllà de les narratives reparadores o de la utopia benèvola cap a una vida més que humana?&lt;br /&gt;
&lt;br /&gt;
Busquem dotar-nos d’un “fer” queer en entorns computacionals sinistres i en lloc de centrar-nos en el co-florida d’éssers humans i no humans, proposem parar esment als danys, lesions, sofriments i limitacions que s’imposen a les possibilitats de la vida i que es produeixen a través de la informàtica i les technociencias. Si ens centrem en una genealogia de lesions en els estudis queer, podem reconèixer la voluntat d’investigar aspectes més foscos de l’experiència? Com podríem redirigir les friccions de la tecnociència “queer” com alguna cosa que es relaciona amb la poderosa negativitat de queer com una forma de política punk en lloc d’un límit establert o centrar-se en les pràctiques sexuals de cossos ontològicament segurs i essencialment fixos? Aquest taller es proposa, per tant, com una composició col·lectiva de “com fer” recerca parcialment reparadora, sense garantia!!. El taller serà absolutament depenent dels danys i dificultats metodològiques que cada participant porti amb si mateixa.&lt;br /&gt;
&lt;br /&gt;
Aquest taller és Anti-Copyright&lt;br /&gt;
Succeirà en anglès&lt;br /&gt;
&lt;br /&gt;
[[File:Example.jpg]]&lt;br /&gt;
&lt;br /&gt;
+ info -&amp;gt; &lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=137</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=137"/>
		<updated>2018-10-24T14:16:23Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
== '''[CAST]''' ==&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[ENG]''' ==&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[CAT]''' ==&lt;br /&gt;
&lt;br /&gt;
A mesura que els organismes genèticament modificats “dissenyats” com a components informàtics s’inscriuen en els esdevenirs ambientals de la remediació, i proliferen les nostres salvatges fantasies de (micro)*bio-analítica generant capital viu, els tripijocs tecno-ambientals i les seves ficcions polítiques estan invocant pràctiques a l’escala del “fer-món”. La computació ambiental i la seva producció de nous arranjaments ecològics s’estén molt més allà del laboratori -explotant intensivament les labors vives i les friccions d’animals i organismes no humans a través de pràctiques afectives, semiòtiques i materials cada vegada més accelerades-. Les nostres co-composicions/esdevenirs tant amb internet com amb altres xarxes i/o dispositius digitals s’embullen cada vegada més en els nostres “nosaltres” no-locals. Aquestes escenes exploten organismes no humans per sostenir maneres particulars de vida; no obstant això, aquestes explotacions també creen oportunitats per a reparacions i per a la impugnació creativa – el que provoca la urgència de queerificar els “com es fa”! El nostre repte col·lectiu és que la tecnociència queer no és prou queer com a pràctica de recerca i necessita treure’s del mig algunes antroponormativitats.&lt;br /&gt;
&lt;br /&gt;
En un taller d’un dia, ens reunirem temporalment per indagar plegades sobre el potencial analític queer de la tecnologia microbiana, animal, vegetal, mineral i cosmològica, situant-nos en aquestes escenes mundanes i seductores — prendrem el taller com una invitació a considerar aquestes labors i imaginar una vida col·lectiva diferent. Reflexionarem sobre les possibilitats i limitacions de la informàtica; i prendrem seriosament les forces afectives de màquines i animals no humans. Ens preguntem com podríem desplegar teories queer que es refereixen lesions no només a persones sinó a conjunts més que humans per considerar els danys compartits per humans i no humans? Com podem generar camins que ens portin més enllà de les narratives reparadores o de la utopia benèvola cap a una vida més que humana?&lt;br /&gt;
&lt;br /&gt;
Busquem dotar-nos d’un “fer” queer en entorns computacionals sinistres i en lloc de centrar-nos en el co-florida d’éssers humans i no humans, proposem parar esment als danys, lesions, sofriments i limitacions que s’imposen a les possibilitats de la vida i que es produeixen a través de la informàtica i les technociencias. Si ens centrem en una genealogia de lesions en els estudis queer, podem reconèixer la voluntat d’investigar aspectes més foscos de l’experiència? Com podríem redirigir les friccions de la tecnociència “queer” com alguna cosa que es relaciona amb la poderosa negativitat de queer com una forma de política punk en lloc d’un límit establert o centrar-se en les pràctiques sexuals de cossos ontològicament segurs i essencialment fixos? Aquest taller es proposa, per tant, com una composició col·lectiva de “com fer” recerca parcialment reparadora, sense garantia!!. El taller serà absolutament depenent dels danys i dificultats metodològiques que cada participant porti amb si mateixa.&lt;br /&gt;
&lt;br /&gt;
Aquest taller és Anti-Copyright&lt;br /&gt;
Succeirà en anglès&lt;br /&gt;
&lt;br /&gt;
[[File:Example.jpg]]&lt;br /&gt;
&lt;br /&gt;
+ info -&amp;gt; &lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=136</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=136"/>
		<updated>2018-10-24T14:14:57Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
== '''[CAST]''' ==&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
== '''[ENG]''' ==&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=135</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=135"/>
		<updated>2018-10-24T14:13:27Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
'''[CAST]'''&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Damaged lake.jpg]]&lt;br /&gt;
&lt;br /&gt;
'''[ENG]'''&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Damaged_lake.jpg&amp;diff=134</id>
		<title>File:Damaged lake.jpg</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Damaged_lake.jpg&amp;diff=134"/>
		<updated>2018-10-24T14:13:09Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=133</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=133"/>
		<updated>2018-10-24T14:12:51Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
'''[CAST]'''&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[[File:Example.jpg]]&lt;br /&gt;
&lt;br /&gt;
'''[ENG]'''&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=132</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=132"/>
		<updated>2018-10-24T14:12:01Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
'''[CAST]'''&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
'''[ENG]'''&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=131</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=131"/>
		<updated>2018-10-24T14:11:17Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
*[CAST]*&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
**[ENG]**&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=130</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=130"/>
		<updated>2018-10-24T14:10:50Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
[CAST]&lt;br /&gt;
&lt;br /&gt;
A medida que los organismos genéticamente modificados “diseñados” como componentes informáticos se inscriben en los devenires ambientales de la remediación, y proliferan nuestras salvajes fantasías de (micro)bio-analítica generando capital vivo, los enredos tecno-ambientales y sus ficciones políticas están invocando prácticas a la escala del “hacer-mundo”. La computación ambiental y su producción de nuevos arreglos ecológicos se extiende mucho más allá del laboratorio -explotando intensivamente las labores vivas y las fricciones de animales y organismos no humanos a través de prácticas afectivas, semióticas y materiales cada vez más aceleradas-. Nuestras co-composiciones/devenires tanto con internet como con otras redes y/o dispositivos digitales se enredan cada vez más en nuestros “nosotres” no-locales. Estas escenas explotan organismos no humanos para sostener modos particulares de vida; sin embargo, estas explotaciones también crean oportunidades para reparaciones y para la impugnación creativa – ¡lo que provoca la urgencia de queerificar los “cómo se hace”! Nuestro reto colectivo es que la tecnociencia queer no es lo suficientemente queer como práctica de investigación y necesita sacarse del medio algunas antroponormatividades. ¿Cómo podemos generar caminos que nos lleven más allá de las narrativas reparadoras o de la utopía benévola hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
En un taller de un día, nos reuniremos temporalmente para indagar juntes sobre el potencial analítico queer de la tecnología microbiana, animal, vegetal, mineral y cosmológica, situándonos en estas escenas mundanas y seductoras — tomaremos el taller como una invitación a considerar estas labores e imaginar una vida colectiva diferente. Reflexionaremos sobre las posibilidades y limitaciones de la informática; y tomaremos en serio las fuerzas afectivas de máquinas y animales no humanos. Nos preguntamos ¿cómo podríamos desplegar teorías queer que se refieren lesiones no sólo a personas sino a conjuntos más que humanos para considerar los daños compartidos por humanos y no humanos? ¿Qué modos nos llevarían más allá de las narrativas reparitivas o del utopinaísmo benévolo hacia una vida más que humana?&lt;br /&gt;
&lt;br /&gt;
Buscamos dotarnos de un “hacer” queer en entornos computacionales siniestros y en lugar de centrarnos en el co-florecimiento de seres humanos y no humanos, proponemos prestar atención a los daños, lesiones, sufrimientos y limitaciones que se imponen a las posibilidades de la vida y que se producen a través de la informática y las tec nociencias. Si nos centramos en una genealogía de lesiones en los estudios queer, ¿podemos reconocer la voluntad de investigar aspectos más oscuros de la experiencia? ¿Cómo podríamos redirigir las fricciones de la tecnociencia queer como algo que se relaciona con la poderosa negatividad de queer como una forma de política punk en lugar de un límite establecido o centrarse en las prácticas sexuales de cuerpos ontológicamente seguros y esencialmente fijos? Este taller se propone, por tanto, como una composición colectiva de “cómo hacer” investigación parcialmente reparadora, ¡¡sin garantía!!. El taller será absolutamente dependiente de los daños y dificultades metodológicas que cada participante traiga consigo.&lt;br /&gt;
&lt;br /&gt;
Este taller es Anti-Copyright&lt;br /&gt;
Sucederá en inglés&lt;br /&gt;
&lt;br /&gt;
[ENG]&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=129</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=129"/>
		<updated>2018-10-24T10:51:41Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''DOWNLOAD READER here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;'''&lt;br /&gt;
&lt;br /&gt;
[[Media:Reader Queering Damage 2018.pdf]]&lt;br /&gt;
&lt;br /&gt;
''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
&lt;br /&gt;
(for leggenda of the signs below, check the invented queer analytic repertoir here -&amp;gt; https://queeringdamage.hangar.org/index.php/OPERATION_2)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=128</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=128"/>
		<updated>2018-10-24T10:51:23Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''DOWNLOAD READER here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;''' [[Media:Reader_Queering_Damage_2018.pdf]]&lt;br /&gt;
&lt;br /&gt;
or from here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt; https://cloud.hangar.org/index.php/s/af6Hh9IYJXd7e4z&lt;br /&gt;
(password: queeringdamage)&lt;br /&gt;
&lt;br /&gt;
[[Media:Reader Queering Damage 2018.pdf]]&lt;br /&gt;
&lt;br /&gt;
''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
&lt;br /&gt;
(for leggenda of the signs below, check the invented queer analytic repertoir here -&amp;gt; https://queeringdamage.hangar.org/index.php/OPERATION_2)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=124</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=124"/>
		<updated>2018-10-22T15:45:49Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[READER]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[File:Fotoactivitat.jpeg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=123</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=123"/>
		<updated>2018-10-22T15:45:31Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[File:Fotoactivitat.jpeg]]&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[READER]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Workshop_hangar.jpeg&amp;diff=122</id>
		<title>File:Workshop hangar.jpeg</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Workshop_hangar.jpeg&amp;diff=122"/>
		<updated>2018-10-22T15:45:02Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Fotoactivitat.jpeg&amp;diff=121</id>
		<title>File:Fotoactivitat.jpeg</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Fotoactivitat.jpeg&amp;diff=121"/>
		<updated>2018-10-22T15:44:20Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=120</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=120"/>
		<updated>2018-10-22T15:38:15Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''DOWNLOAD READER here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;''' https://cloud.hangar.org/index.php/s/af6Hh9IYJXd7e4z&lt;br /&gt;
(password: queeringdamage)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
&lt;br /&gt;
(for leggenda of the signs below, check the invented queer analytic repertoir here -&amp;gt; https://queeringdamage.hangar.org/index.php/OPERATION_2)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=119</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=119"/>
		<updated>2018-10-22T15:38:03Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''DOWNLOAD READER here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;''' https://cloud.hangar.org/index.php/s/af6Hh9IYJXd7e4z&lt;br /&gt;
(password: queeringdamage)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
(for leggenda of the signs below, check the invented queer analytic repertoir here -&amp;gt; https://queeringdamage.hangar.org/index.php/OPERATION_2)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=118</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=118"/>
		<updated>2018-10-22T15:37:23Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''DOWNLOAD READER here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;''' https://cloud.hangar.org/index.php/s/af6Hh9IYJXd7e4z&lt;br /&gt;
(password: queeringdamage)&lt;br /&gt;
&lt;br /&gt;
Index of ''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
(for leggenda of the signs below, check the invented queer analytic repertoir here -&amp;gt; https://queeringdamage.hangar.org/index.php/OPERATION_2)&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=117</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=117"/>
		<updated>2018-10-22T15:28:34Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;'''DOWNLOAD READER here &amp;gt;&amp;gt;&amp;gt;&amp;gt;&amp;gt;''' https://cloud.hangar.org/index.php/s/af6Hh9IYJXd7e4z&lt;br /&gt;
(password: queeringdamage)&lt;br /&gt;
&lt;br /&gt;
Index of ''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=115</id>
		<title>READER</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=READER&amp;diff=115"/>
		<updated>2018-10-22T12:53:10Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;''''Reader: Queering damage: methodologies for partial reparations… or not…''''&lt;br /&gt;
&lt;br /&gt;
ᘒᚼΔ Gan, Elaine, Anna Tsing, Heather Anne Swanson, and Nils Ole Bubandt. &amp;quot;Haunted Landscapes of the Anthropocene.&amp;quot; In Arts of Living on a Damaged Planet. University of Minnesota Press, 2017.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Margulis, Lynn. &amp;quot;Symbiogenesis and symbionticism.&amp;quot; Symbiosis as a source of evolutionary innovation (1991): 1-14.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Lispector, Clarice. Água viva. U of Minnesota Press, 1989.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Goodwin, Adam. &amp;quot;Evolution and Anarchism in International Relations: The Challenge of Kropotkin’s Biological Ontology.&amp;quot; Millennium 39, no. 2 (2010): 417-437.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ᗶ Bhang, Aimee. &amp;quot;Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi- Queer Commons. &amp;quot; In the Queer Feminist Science Studies Reader. University of Washington Press, 2017.&lt;br /&gt;
&lt;br /&gt;
⚘ &amp;gt;&amp;gt; Parisi, Luciana. &amp;quot;Computational logic and ecological rationality.&amp;quot; General Ecology: The New Ecological Paradigm(2017)&lt;br /&gt;
&lt;br /&gt;
፨ *Ω Butler, Judith, and Athena Athanasiou. Dispossession: The performative in the political. John Wiley &amp;amp; Sons, 2013.&lt;br /&gt;
&lt;br /&gt;
፨ *Ω ᚼ ᗶ ⚘ Tsing, Anna Lowenhaupt. The mushroom at the end of the world: On the possibility of life in capitalist ruins. Princeton University Press, 2015.&lt;br /&gt;
&lt;br /&gt;
ᗶ Add to Basket (Brian Bilston's twitter profile, 2018)&lt;br /&gt;
&lt;br /&gt;
ᚼ ᗶ ⚘ Hird, Myra. The origins of sociable life: Evolution after science studies. Springer, 2009.&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Da Silva, Denise Ferreira. “In the Raw”. E-flux Journal #93 - September (2018).&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᚼ ⚘ Povinelli, Elizabeth A. Geontologies: a requiem to late liberalism. Duke University Press, 2016.&lt;br /&gt;
&lt;br /&gt;
◊ ᗶ But Gate: Proposed Additional Logic Gate (ginger coons &amp;amp; Relearn, 2016)&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ Love, Heather. Feeling backward. Harvard University Press, 2009.&lt;br /&gt;
&lt;br /&gt;
^Δ Les statues meurent aussi (Chris Marker y Alain Resnais, 1953) https://www.youtube.com/watch?v=YaLoealsVmE&lt;br /&gt;
&lt;br /&gt;
፨ ᘒ ᗶ Wuthar, Saltwater Dreams (Karrabing Film Collective, 2014)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Media:Example.ogg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=113</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=113"/>
		<updated>2018-10-22T11:50:53Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remediation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=112</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=112"/>
		<updated>2018-10-22T10:30:55Z</updated>

		<summary type="html">&lt;p&gt;Jara: /* drawing-as-damage */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;''We need you to bring with you one or two experiences of &amp;quot;damage&amp;quot; in the broadest sense. They don't have to be personally experienced injuries: they can be observed damages or collective ones. It can be bodily damage, community damage, environmental damage, personal injury, historical damage, public damage, fictitious damage, cultural damage, file damage, structural damage, naturalized damage, computer damage, urban damage, transgenerational damage, geopolitical damage... etc.''&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
== Transgenic Living Sensor Fish ==&lt;br /&gt;
&lt;br /&gt;
On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. &lt;br /&gt;
&lt;br /&gt;
GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. &lt;br /&gt;
&lt;br /&gt;
== Hydraponic fish for permaculture ==&lt;br /&gt;
(Helen)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Permaculture visions in which fish filter the water for plants&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: Permaculture experts, fish many species who can live in fish tanks for example goldfish, tanks, plants, compounds, fossil fuels (or lack of), climate, soil(in its absence). &lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: permaculture communities, homes, gardens, destroyed soils. &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: enduring, replaceable, repeated, near futures, possible futures, &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?: alternative economies, permaculture agriculture, survival politics, off grid politics, speculative futures, food futures, fish corporealities, capacities of fish bodies to clean and filter water, imaginaries of symbiosis, fish as less animate, fish as labourer, fish as tool/source. &lt;br /&gt;
*Your entanglement with the scene: writing about it here, learning about it in a permaculture promotion talk from Starhawk.&lt;br /&gt;
*Van a pattern be identified here? not accounting for the liveliness of fish, exploitation of fish creative force, anthropocentrism, anthronormativity in future visionings to protect human life.  to what extent is this damage structural, or singular? fish damage, plant growth, human food, and entangled web of suffering and damage. &lt;br /&gt;
&lt;br /&gt;
== biological computation ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating  models and designs for immunisations and pharmaceuticals. &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated:  as fast as possible by some, maybe as slow as possible by others &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.&lt;br /&gt;
*Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.&lt;br /&gt;
*can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled&lt;br /&gt;
    &lt;br /&gt;
== chip critters ==&lt;br /&gt;
(Helen)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Use of microbes as a computer component - often used to signal toxicity in harmful scenes such as oil spills or waste plants. &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless microbes such as bacterias or algae, waste managers, oil spill cleanup workers, other nonhumans also at risk of toxicity from these scenes such as plants, marine life etc, at risk human workers, human residents in these scenes, network infrastructures, software, servers, clouds, silicon, chips, sensor labs - hi tech, life INC, workers in the global south.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: global south component production, chip production in sensor labs clean rooms, toxic scenes landfill, mining waste, spill sites and their distributions globally. Monitoring or remediation takes sites at places where government/corporations/those with resources demarcate human/nonhuman others as needing protection.&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: crisis crisis crisis, post drill, post spill , post kill.&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Toxic for some but not others, protection for some but not others, sometimes anthocentrism, benavolence, imaginaries of environmental protection, electrons, proteins, minerals, endocrines, bodily processes, contaminants, PCBS, chemical infrastrucures, gender panic. &lt;br /&gt;
*Your entanglement with the scene: user of fossil fuels, ethnography of chips, environmental concerns&lt;br /&gt;
*can a pattern be identified here? patterning datas, who gets to matter, patterns of injury, matabolisms to what extent is this damage structural, or singular? both?&lt;br /&gt;
&lt;br /&gt;
== cryopolitics ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
*what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*Your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== endocrine disruption ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== turbocapitalism ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Cable.jpeg]]&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== cosmic rays and bit flipping ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== aqua_forensic ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? invisible anthropogenic (pharmaceutical) chemical pollutants&lt;br /&gt;
*which are the agents implied? humans, oceans, chemicals, molecules, phantoms, organisms, rocks&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution. World’s waters&lt;br /&gt;
*whens?  temporality / durability / existing / extinct / repeated: repetition, extension, perpetuated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? ghost haunting, bodily of the waters, chemical structures, the fluidity of flows, water-media&lt;br /&gt;
*Your entanglement with the scene: learn from the displacements required for measurements in terms of f bioacoustics, vibrations and presences &lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? aquatic animals, micro-organisms, humans, development patterns of all living organisms. Structural damage/scale: from the micro level (viruses, bacteria and other microorganisms)to the largest organisms in the oceans&lt;br /&gt;
&lt;br /&gt;
== Botanist - Tsing ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
[[File:Mushrooms-on-the-ruins.jpg]]&lt;br /&gt;
*what is going on here? course of millions of years, one might imagine that spores could spread the species.1 There is something about the stratosphere that inspires airy dreams. Imagine, spores circling the globe!&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: plants, microbes, fungus, humans, spores, movement, &lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: individuality non individuality, specie, many genetic-signature &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: open-ended &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? liminal, exploration, enacted in material terms,  cooperation, collaborative ways of living, interconnection, materials and methods&lt;br /&gt;
*Your entanglement with the scene: to hack the expectation of scaling up. Nonscalability- Scalability and indeterminacy, transformative relations &lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? Hegemony of scalability, herbaria, data-bases-taxonomy &lt;br /&gt;
&lt;br /&gt;
== Oncomouse ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
[[File:oncomouse.jpg]]&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== GMO bacteria ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: bacteria, humans, gadgets, proteins&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: labs, &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: now, possible nows, possible futures &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? promises of healing, cure, reparations&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== comunication breakdown = isolation ==&lt;br /&gt;
(Natalia)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? A very hugh economic, political crisis in Argentina leaves almost half of the population in a devastating situation in wich they are not even capable of charging their phones, nor paying for the mobile phone service or even taking public transport for going from home to work. This situation leaves people from all over the country with out a proper communication and sociability.&lt;br /&gt;
*The agents implied are the new technologies, the telephones, the lack of money, the goverment as resposible for the bad administration, the whole popultion (wealthy or not), public services such as transportation, gas, water, electricity.&lt;br /&gt;
*Where? This is happening in a Argentina, but its something going on outside in the streets also inside homes, schools, public places, etc.&lt;br /&gt;
*When?  it tarted some years ago, but we could also say it happened once in 2001, and there is a repetitition of the way of administrating public services, financials. I just hope it ends as quick as possible.&lt;br /&gt;
*semiotics materials: south latin american political context, trying to assemble and catch up with the neopolitical way of organizing a state.&lt;br /&gt;
*engangement: Me being abroad, while my pals are there, suffering the illnes of a broken country, of a non salary job, of the lack of hospitals, etc. makes me feel strange, like overprotected by a second country&lt;br /&gt;
*pattern is the way of argentinian politics way of doing.&lt;br /&gt;
&lt;br /&gt;
== Mariana dam disaster ==&lt;br /&gt;
(tayrine)&lt;br /&gt;
&lt;br /&gt;
[[File:5656f368c36188101b8b4572.JPG]]&lt;br /&gt;
*what is going on here? -&amp;gt; 19 people dead / the worst enviorenmental disaster / 40m liters of water and sediment from iron extraction / mud have destroyed houses, memories, dreams, futures.&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; Vale and BHP Biliton companies / engineers / the goverment / monetary interests / inhabitants, flora and fauna, minerals, landscape / Dem structure / Capital flows, stocks&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution -&amp;gt; The city of Mariana, the city of Governador Valadares, Doce river, the city of Bento Rodrigues, state of MG / throughout the flow of the river to the ocean / Forests around the cities / the ground.&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated -&amp;gt; 2015 - ongoing &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Dispute of the companies trying to lower the financial punishment. Fines. Damage to their reputation. The goverment trying to show they were doing the best to &amp;quot;repair&amp;quot;. Companies trying to show they were doing the best they could. &lt;br /&gt;
*your entanglement with the scene -&amp;gt; Emotional relationships / Care - Friends, land and enviorenment&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? -&amp;gt; Structural. It's related to capital, goverment puting in the center the capital instead of nature, human and animal rights etc. Imperialist relationship from companies with the land and the resources. &lt;br /&gt;
&lt;br /&gt;
== dominación de caballos ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? -&amp;gt; se invisibilidad y silencia el daño al caballo. El caballo no expresa dolor como mecanismo de defensa porque es una presa, y si lo expresara sería una presa mucho más fácil. Todo el deporte hípico se basa en dolor al caballo que no expresa pero que sirve para que obedezca al humano. Esta dominación está construida sobre una serie de supuestos que son falsos: el caballo no sufre, es feliz, está bien alimentado, vive en buenas condiciones&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; humanos y animales. El deporte hípico, el capital cultural y de clase que supone la doma o tener un caballo.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution -&amp;gt; Las hípicas tradicionales con caballos en establos concentran este dolor. Escala global. &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated -&amp;gt; históricamente se ha dominado al caballo desde una perspectiva utilitaria: desde el uso de carga al terapéutico, el deportivo… &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? -&amp;gt; A nivel semiotic se ha ignorado el lenguaje del caballo para perpetuar el dolor. Se han creado mitos como que el caballo necesita un líder (no es cierto, en libertad el caballo se auto organiza). Se ha generado un universo simbólico alrededor del caballo basado en nociones humanas que es falso.’&lt;br /&gt;
*your entanglement with the scene -&amp;gt; Yo también he participado en esa dominación, empecé desde ahí. Poco a poco he ido intentando reparar ese daño alterando la relación con los caballos, ahora estoy en un refugio de caballos rescatados donde no se les monta y se aprende etología para reparar el daño que han sufrido en hípicas tradicionales desde relaciones en la tierra de igual a igual&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? -&amp;gt; El mismo patrón de dominación que históricamente se ha repetido a través del binarismo ontológico: el caballo es otro no-humano al que puedes dominar -de la misma forma que se ha hecho con la mujer, el negro, el animal, etc. El otro no sufre, no tiene emociones, es inferior. &lt;br /&gt;
&lt;br /&gt;
== animales de compañía ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? animales de compañía en casa, muchas veces es un capricho, se mueve, te da cariño. Tu decides por el animal, que se recluye en una casa y le impones tus condiciones de vida. Es una convivencia forzada.&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: Humanos, y animales de compañía, la industria de compra venta, la industria de los pedigris, de comida para animales, juguetes, veterinarios etc.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: ámbito doméstico, pero también en la industria&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: históricamente, fin utilitarista de los animales. La industrialización y las ciudades, animales domésticos en apartamentos. obsesión por las razas, perros grandes en casas.&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Imaginario: el animal de compañía es un ser naif que te va a dar amor incondicional, y cubrir tus carencias emocionales. El compromiso se trata de manera superficial, no se trata solamente de no abandonarlo.&lt;br /&gt;
*your entanglement with the scene. Belen tiene una gata, Marty, lo adoptó con compromiso pero con ingenuidad. La convivencia con ella le hace entender como la vida pasa por las dos. Actualmente entiende la relación como un compromiso muto de por vida. Siente que el cuidado es mutuo. Marty vive en une espacio reducido pero ahí será libre, x ej. puede arañara lo que quiera. Belen tiene le privilegio de elegir donde vivir entonces se trata de elegir lugares donde las dos estén bien.&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? Es un daño estructural porque no entendemos los modos de ser no-humanos como algo que tenga el mismo valor que los humanos.&lt;br /&gt;
&lt;br /&gt;
== drawing-as-damage ==&lt;br /&gt;
(alba)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
[[File:Alba.jpg]]&lt;br /&gt;
&lt;br /&gt;
== El perro y los rumanos ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? un perro muerto. los rumanos que viviendo al lado. el racismo toma cuerpo. el desalojo. el silencio.&lt;br /&gt;
*which are the agents implied? descampado, especulación, perro, portero, el trabajo,&lt;br /&gt;
*wheres? descampado, calle,&lt;br /&gt;
*whens? 10 años, una noche, &amp;quot;tengo prisa para llegar al trabajo&amp;quot;, nunca más, un edificio que se va a contruir&lt;br /&gt;
*semiotic-materialities: grafitis, una puerta tapiada, el silencio como marca&lt;br /&gt;
*your entanglement with the scene: vecindad que no es&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? racismo estructural, vidas desplazables, el territorio&lt;br /&gt;
&lt;br /&gt;
== Allergies/intolerance ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Experiences of uncomfortable, restricting, violent reactions to physical interactions with certain environmental elements/agents. Part of the harm done is locating the production of harm (intolerance) with the subject and to locate harmlessness (tolerance?) with the agent. Allergy as a lack of adaptation? Is lack of allergy a sign of success?&lt;br /&gt;
*which are the agents implied? A human body, a digestive aparatus, a resparative aparatus, an immune system developing over time, environmental agents interacting with other elements, social habits and customs (culinary, domestic, ...), a transforming environment, climate change, saliva, micro-biom/microbiological life.&lt;br /&gt;
*wheres? A human body in the kitchen, a human body on the street, a human body incorporating other bodies (animal, plant, chemical)&lt;br /&gt;
*whens? Developing over time, temporal activation, interacting with another timescale. Irreversible … or not?&lt;br /&gt;
*semiotic-materialities: difficulty breathing, stomach ache, itching, separation between human and elements. Air borne, animal production, ...&lt;br /&gt;
*your entanglement with the scene: I am both the cause and the victim of this harmful interaction.&lt;br /&gt;
*can a pattern be identified here? Individual/collective: Increasing clarity/awareness on how to detect and act in order to avoid harmful interactions. Collective: increasing allergies and intolerances.&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;del&amp;gt;l'arabe/arabische&amp;lt;/del&amp;gt; ==&lt;br /&gt;
(FS)&lt;br /&gt;
&lt;br /&gt;
[[File:PWFU6595-1024x683.jpg]]&lt;br /&gt;
*what is going on here? A colonial monument situated in Brussels celebrating the intervention of Belgian military freeing congoles subjects from arabic slavetraders. The monument is being attacked, repaired, re-inscribed, cleaned. Documentation: http://westenberg.constantvzw.org/?cat=11&lt;br /&gt;
*which are the agents implied? the weather, a sculpture, words: arabisch/l'arabe, marker, colonialism, fascists, passers-by, documenters, public administration, veterans, ...&lt;br /&gt;
*wheres? Congo, Cinquantenaire park, next to a mosque&lt;br /&gt;
*when? Colonisation of congo, erection of the monument, interventions (1990, 1991 and ongoing), ongoing weather, Belgian national identity construction (1885-current)&lt;br /&gt;
*semiotic-materialities: sandstone, acid rain, language, violent interventions, rewriting, politics, description and documentation&lt;br /&gt;
*your entanglement with the scene: passer-by, assistant to the documenter, inhabitant of Brussels (a city built with colonial money), aspirant ally of some agents not others&lt;br /&gt;
*can a pattern be identified here? Inscription, description, reinscription as an ongoing battlefield. Sediment. The monument is left to rot (non-reparation by/through laissez-faire).&lt;br /&gt;
&lt;br /&gt;
== the damage that implies invisibilizing the multiple voices that compose your one voice == &lt;br /&gt;
(ari)&lt;br /&gt;
&lt;br /&gt;
== Palestine pollution ==&lt;br /&gt;
&lt;br /&gt;
[[File:Gaza pollution.jpg]]&lt;br /&gt;
*what is going on here? Palestinian opresion by Israely people. Systemic phisical and envionmental violence, pollution of air, water, soil. Constant noise from planes and drones. Constant humiliation when people approaches to the border. &lt;br /&gt;
*wheres? The whole world, wheter taking or not taking part&lt;br /&gt;
*when? Since 1960&lt;br /&gt;
*semiotic-materialities: Silence, struggle from palestinians to make visible their relation. Israely apparatus manages to silence what's happening there, creating a virtuality that ends up in world politics and people indulgence towards this situation.&lt;br /&gt;
&lt;br /&gt;
== David Reimer ==&lt;br /&gt;
(Ibai)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? David Reimer was the eldest of identical twins, originally named Bruce and Brian. At the age of six months, they were diagnosed with phimosis and were referred for circumcision, but the procedure did not go as planned, and Bruce's penis was burned beyond surgical repair. The parents, concerned about their son's prospects for future happiness and sexual function without a penis, took him to see John Money, a psychologist who claimed that Reimer would be more likely to achieve successful, functional sexual maturation as a girl than as a boy. At the age of 22 months, his testes were surgically removed and was reassigned to be raised as female and given the name Brenda. Estrogen was given during adolescence, inducing breast development. By the age of 13 years, Reimer was experiencing suicidal depression. Finally, on 14 March 1980, his parents told him the truth about his gender reassignment. At 14, Reimer decided to assume a male gender identity, calling himself David. By 1987, Reimer had undergone treatment to reverse the reassignment, including testosterone injections, a double mastectomy, and two phalloplasty operations. In addition to a difficult lifelong relationship with his parents, Reimer had to deal with unemployment and the death of his brother Brian, who had developed schizophrenia. On the morning of 4 May 2004, David took his own life.&lt;br /&gt;
*which are the agents implied? Twins, Parents, Doctors, Media... Gender Binary, La voluntad de reparación, El pánico ante lo queer.&lt;br /&gt;
*wheres? Hospital, Home, People’s mind, David's body, Media.&lt;br /&gt;
*whens? Life-long, as they were all drastic decisions.&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Biological, discursive, linguistic, medical, quirurgic, aesthetic, identitary material/matters.&lt;br /&gt;
*your entanglement with the scene. As someone who consumes it as food for thought because it helps to unpack many interesting problematics.&lt;br /&gt;
*can a pattern be identified here? Yes, binary pattern, doctor patient hierarchy, lack of agency, on the other hand, it calls for attention to trans-exclusionary (who, on the contrary, face difficulties accessing this very technologies) patterns.&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Alba.jpg&amp;diff=111</id>
		<title>File:Alba.jpg</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Alba.jpg&amp;diff=111"/>
		<updated>2018-10-22T10:30:29Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=110</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=110"/>
		<updated>2018-10-22T10:28:29Z</updated>

		<summary type="html">&lt;p&gt;Jara: /* ? */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&amp;quot;''We need you to bring with you one or two experiences of &amp;quot;damage&amp;quot; in the broadest sense. They don't have to be personally experienced injuries: they can be observed damages or collective ones. It can be bodily damage, community damage, environmental damage, personal injury, historical damage, public damage, fictitious damage, cultural damage, file damage, structural damage, naturalized damage, computer damage, urban damage, transgenerational damage, geopolitical damage... etc.''&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
== Transgenic Living Sensor Fish ==&lt;br /&gt;
&lt;br /&gt;
On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. &lt;br /&gt;
&lt;br /&gt;
GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. &lt;br /&gt;
&lt;br /&gt;
== Hydraponic fish for permaculture ==&lt;br /&gt;
(Helen)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Permaculture visions in which fish filter the water for plants&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: Permaculture experts, fish many species who can live in fish tanks for example goldfish, tanks, plants, compounds, fossil fuels (or lack of), climate, soil(in its absence). &lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: permaculture communities, homes, gardens, destroyed soils. &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: enduring, replaceable, repeated, near futures, possible futures, &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?: alternative economies, permaculture agriculture, survival politics, off grid politics, speculative futures, food futures, fish corporealities, capacities of fish bodies to clean and filter water, imaginaries of symbiosis, fish as less animate, fish as labourer, fish as tool/source. &lt;br /&gt;
*Your entanglement with the scene: writing about it here, learning about it in a permaculture promotion talk from Starhawk.&lt;br /&gt;
*Van a pattern be identified here? not accounting for the liveliness of fish, exploitation of fish creative force, anthropocentrism, anthronormativity in future visionings to protect human life.  to what extent is this damage structural, or singular? fish damage, plant growth, human food, and entangled web of suffering and damage. &lt;br /&gt;
&lt;br /&gt;
== biological computation ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating  models and designs for immunisations and pharmaceuticals. &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated:  as fast as possible by some, maybe as slow as possible by others &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.&lt;br /&gt;
*Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.&lt;br /&gt;
*can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled&lt;br /&gt;
    &lt;br /&gt;
== chip critters ==&lt;br /&gt;
(Helen)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Use of microbes as a computer component - often used to signal toxicity in harmful scenes such as oil spills or waste plants. &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless microbes such as bacterias or algae, waste managers, oil spill cleanup workers, other nonhumans also at risk of toxicity from these scenes such as plants, marine life etc, at risk human workers, human residents in these scenes, network infrastructures, software, servers, clouds, silicon, chips, sensor labs - hi tech, life INC, workers in the global south.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: global south component production, chip production in sensor labs clean rooms, toxic scenes landfill, mining waste, spill sites and their distributions globally. Monitoring or remediation takes sites at places where government/corporations/those with resources demarcate human/nonhuman others as needing protection.&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: crisis crisis crisis, post drill, post spill , post kill.&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Toxic for some but not others, protection for some but not others, sometimes anthocentrism, benavolence, imaginaries of environmental protection, electrons, proteins, minerals, endocrines, bodily processes, contaminants, PCBS, chemical infrastrucures, gender panic. &lt;br /&gt;
*Your entanglement with the scene: user of fossil fuels, ethnography of chips, environmental concerns&lt;br /&gt;
*can a pattern be identified here? patterning datas, who gets to matter, patterns of injury, matabolisms to what extent is this damage structural, or singular? both?&lt;br /&gt;
&lt;br /&gt;
== cryopolitics ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
*what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*Your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== endocrine disruption ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== turbocapitalism ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Cable.jpeg]]&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== cosmic rays and bit flipping ==&lt;br /&gt;
(jxxx)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== aqua_forensic ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? invisible anthropogenic (pharmaceutical) chemical pollutants&lt;br /&gt;
*which are the agents implied? humans, oceans, chemicals, molecules, phantoms, organisms, rocks&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution. World’s waters&lt;br /&gt;
*whens?  temporality / durability / existing / extinct / repeated: repetition, extension, perpetuated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? ghost haunting, bodily of the waters, chemical structures, the fluidity of flows, water-media&lt;br /&gt;
*Your entanglement with the scene: learn from the displacements required for measurements in terms of f bioacoustics, vibrations and presences &lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? aquatic animals, micro-organisms, humans, development patterns of all living organisms. Structural damage/scale: from the micro level (viruses, bacteria and other microorganisms)to the largest organisms in the oceans&lt;br /&gt;
&lt;br /&gt;
== Botanist - Tsing ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
[[File:Mushrooms-on-the-ruins.jpg]]&lt;br /&gt;
*what is going on here? course of millions of years, one might imagine that spores could spread the species.1 There is something about the stratosphere that inspires airy dreams. Imagine, spores circling the globe!&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: plants, microbes, fungus, humans, spores, movement, &lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: individuality non individuality, specie, many genetic-signature &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: open-ended &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? liminal, exploration, enacted in material terms,  cooperation, collaborative ways of living, interconnection, materials and methods&lt;br /&gt;
*Your entanglement with the scene: to hack the expectation of scaling up. Nonscalability- Scalability and indeterminacy, transformative relations &lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? Hegemony of scalability, herbaria, data-bases-taxonomy &lt;br /&gt;
&lt;br /&gt;
== Oncomouse ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
[[File:oncomouse.jpg]]&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== GMO bacteria ==&lt;br /&gt;
(laura)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: bacteria, humans, gadgets, proteins&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: labs, &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: now, possible nows, possible futures &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? promises of healing, cure, reparations&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== comunication breakdown = isolation ==&lt;br /&gt;
(Natalia)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? A very hugh economic, political crisis in Argentina leaves almost half of the population in a devastating situation in wich they are not even capable of charging their phones, nor paying for the mobile phone service or even taking public transport for going from home to work. This situation leaves people from all over the country with out a proper communication and sociability.&lt;br /&gt;
*The agents implied are the new technologies, the telephones, the lack of money, the goverment as resposible for the bad administration, the whole popultion (wealthy or not), public services such as transportation, gas, water, electricity.&lt;br /&gt;
*Where? This is happening in a Argentina, but its something going on outside in the streets also inside homes, schools, public places, etc.&lt;br /&gt;
*When?  it tarted some years ago, but we could also say it happened once in 2001, and there is a repetitition of the way of administrating public services, financials. I just hope it ends as quick as possible.&lt;br /&gt;
*semiotics materials: south latin american political context, trying to assemble and catch up with the neopolitical way of organizing a state.&lt;br /&gt;
*engangement: Me being abroad, while my pals are there, suffering the illnes of a broken country, of a non salary job, of the lack of hospitals, etc. makes me feel strange, like overprotected by a second country&lt;br /&gt;
*pattern is the way of argentinian politics way of doing.&lt;br /&gt;
&lt;br /&gt;
== Mariana dam disaster ==&lt;br /&gt;
(tayrine)&lt;br /&gt;
&lt;br /&gt;
[[File:5656f368c36188101b8b4572.JPG]]&lt;br /&gt;
*what is going on here? -&amp;gt; 19 people dead / the worst enviorenmental disaster / 40m liters of water and sediment from iron extraction / mud have destroyed houses, memories, dreams, futures.&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; Vale and BHP Biliton companies / engineers / the goverment / monetary interests / inhabitants, flora and fauna, minerals, landscape / Dem structure / Capital flows, stocks&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution -&amp;gt; The city of Mariana, the city of Governador Valadares, Doce river, the city of Bento Rodrigues, state of MG / throughout the flow of the river to the ocean / Forests around the cities / the ground.&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated -&amp;gt; 2015 - ongoing &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Dispute of the companies trying to lower the financial punishment. Fines. Damage to their reputation. The goverment trying to show they were doing the best to &amp;quot;repair&amp;quot;. Companies trying to show they were doing the best they could. &lt;br /&gt;
*your entanglement with the scene -&amp;gt; Emotional relationships / Care - Friends, land and enviorenment&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? -&amp;gt; Structural. It's related to capital, goverment puting in the center the capital instead of nature, human and animal rights etc. Imperialist relationship from companies with the land and the resources. &lt;br /&gt;
&lt;br /&gt;
== dominación de caballos ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? -&amp;gt; se invisibilidad y silencia el daño al caballo. El caballo no expresa dolor como mecanismo de defensa porque es una presa, y si lo expresara sería una presa mucho más fácil. Todo el deporte hípico se basa en dolor al caballo que no expresa pero que sirve para que obedezca al humano. Esta dominación está construida sobre una serie de supuestos que son falsos: el caballo no sufre, es feliz, está bien alimentado, vive en buenas condiciones&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; humanos y animales. El deporte hípico, el capital cultural y de clase que supone la doma o tener un caballo.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution -&amp;gt; Las hípicas tradicionales con caballos en establos concentran este dolor. Escala global. &lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated -&amp;gt; históricamente se ha dominado al caballo desde una perspectiva utilitaria: desde el uso de carga al terapéutico, el deportivo… &lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? -&amp;gt; A nivel semiotic se ha ignorado el lenguaje del caballo para perpetuar el dolor. Se han creado mitos como que el caballo necesita un líder (no es cierto, en libertad el caballo se auto organiza). Se ha generado un universo simbólico alrededor del caballo basado en nociones humanas que es falso.’&lt;br /&gt;
*your entanglement with the scene -&amp;gt; Yo también he participado en esa dominación, empecé desde ahí. Poco a poco he ido intentando reparar ese daño alterando la relación con los caballos, ahora estoy en un refugio de caballos rescatados donde no se les monta y se aprende etología para reparar el daño que han sufrido en hípicas tradicionales desde relaciones en la tierra de igual a igual&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? -&amp;gt; El mismo patrón de dominación que históricamente se ha repetido a través del binarismo ontológico: el caballo es otro no-humano al que puedes dominar -de la misma forma que se ha hecho con la mujer, el negro, el animal, etc. El otro no sufre, no tiene emociones, es inferior. &lt;br /&gt;
&lt;br /&gt;
== animales de compañía ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? animales de compañía en casa, muchas veces es un capricho, se mueve, te da cariño. Tu decides por el animal, que se recluye en una casa y le impones tus condiciones de vida. Es una convivencia forzada.&lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless: Humanos, y animales de compañía, la industria de compra venta, la industria de los pedigris, de comida para animales, juguetes, veterinarios etc.&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution: ámbito doméstico, pero también en la industria&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated: históricamente, fin utilitarista de los animales. La industrialización y las ciudades, animales domésticos en apartamentos. obsesión por las razas, perros grandes en casas.&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Imaginario: el animal de compañía es un ser naif que te va a dar amor incondicional, y cubrir tus carencias emocionales. El compromiso se trata de manera superficial, no se trata solamente de no abandonarlo.&lt;br /&gt;
*your entanglement with the scene. Belen tiene una gata, Marty, lo adoptó con compromiso pero con ingenuidad. La convivencia con ella le hace entender como la vida pasa por las dos. Actualmente entiende la relación como un compromiso muto de por vida. Siente que el cuidado es mutuo. Marty vive en une espacio reducido pero ahí será libre, x ej. puede arañara lo que quiera. Belen tiene le privilegio de elegir donde vivir entonces se trata de elegir lugares donde las dos estén bien.&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? Es un daño estructural porque no entendemos los modos de ser no-humanos como algo que tenga el mismo valor que los humanos.&lt;br /&gt;
&lt;br /&gt;
== drawing-as-damage ==&lt;br /&gt;
(alba)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? &lt;br /&gt;
*which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
*wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
*whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
*your entanglement with the scene&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
== El perro y los rumanos ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? un perro muerto. los rumanos que viviendo al lado. el racismo toma cuerpo. el desalojo. el silencio.&lt;br /&gt;
*which are the agents implied? descampado, especulación, perro, portero, el trabajo,&lt;br /&gt;
*wheres? descampado, calle,&lt;br /&gt;
*whens? 10 años, una noche, &amp;quot;tengo prisa para llegar al trabajo&amp;quot;, nunca más, un edificio que se va a contruir&lt;br /&gt;
*semiotic-materialities: grafitis, una puerta tapiada, el silencio como marca&lt;br /&gt;
*your entanglement with the scene: vecindad que no es&lt;br /&gt;
*can a pattern be identified here? to what extent is this damage structural, or singular? racismo estructural, vidas desplazables, el territorio&lt;br /&gt;
&lt;br /&gt;
== Allergies/intolerance ==&lt;br /&gt;
&lt;br /&gt;
*what is going on here? Experiences of uncomfortable, restricting, violent reactions to physical interactions with certain environmental elements/agents. Part of the harm done is locating the production of harm (intolerance) with the subject and to locate harmlessness (tolerance?) with the agent. Allergy as a lack of adaptation? Is lack of allergy a sign of success?&lt;br /&gt;
*which are the agents implied? A human body, a digestive aparatus, a resparative aparatus, an immune system developing over time, environmental agents interacting with other elements, social habits and customs (culinary, domestic, ...), a transforming environment, climate change, saliva, micro-biom/microbiological life.&lt;br /&gt;
*wheres? A human body in the kitchen, a human body on the street, a human body incorporating other bodies (animal, plant, chemical)&lt;br /&gt;
*whens? Developing over time, temporal activation, interacting with another timescale. Irreversible … or not?&lt;br /&gt;
*semiotic-materialities: difficulty breathing, stomach ache, itching, separation between human and elements. Air borne, animal production, ...&lt;br /&gt;
*your entanglement with the scene: I am both the cause and the victim of this harmful interaction.&lt;br /&gt;
*can a pattern be identified here? Individual/collective: Increasing clarity/awareness on how to detect and act in order to avoid harmful interactions. Collective: increasing allergies and intolerances.&lt;br /&gt;
&lt;br /&gt;
== &amp;lt;del&amp;gt;l'arabe/arabische&amp;lt;/del&amp;gt; ==&lt;br /&gt;
(FS)&lt;br /&gt;
&lt;br /&gt;
[[File:PWFU6595-1024x683.jpg]]&lt;br /&gt;
*what is going on here? A colonial monument situated in Brussels celebrating the intervention of Belgian military freeing congoles subjects from arabic slavetraders. The monument is being attacked, repaired, re-inscribed, cleaned. Documentation: http://westenberg.constantvzw.org/?cat=11&lt;br /&gt;
*which are the agents implied? the weather, a sculpture, words: arabisch/l'arabe, marker, colonialism, fascists, passers-by, documenters, public administration, veterans, ...&lt;br /&gt;
*wheres? Congo, Cinquantenaire park, next to a mosque&lt;br /&gt;
*when? Colonisation of congo, erection of the monument, interventions (1990, 1991 and ongoing), ongoing weather, Belgian national identity construction (1885-current)&lt;br /&gt;
*semiotic-materialities: sandstone, acid rain, language, violent interventions, rewriting, politics, description and documentation&lt;br /&gt;
*your entanglement with the scene: passer-by, assistant to the documenter, inhabitant of Brussels (a city built with colonial money), aspirant ally of some agents not others&lt;br /&gt;
*can a pattern be identified here? Inscription, description, reinscription as an ongoing battlefield. Sediment. The monument is left to rot (non-reparation by/through laissez-faire).&lt;br /&gt;
&lt;br /&gt;
== the damage that implies invisibilizing the multiple voices that compose your one voice == &lt;br /&gt;
(ari)&lt;br /&gt;
&lt;br /&gt;
== Palestine pollution ==&lt;br /&gt;
&lt;br /&gt;
[[File:Gaza pollution.jpg]]&lt;br /&gt;
*what is going on here? Palestinian opresion by Israely people. Systemic phisical and envionmental violence, pollution of air, water, soil. Constant noise from planes and drones. Constant humiliation when people approaches to the border. &lt;br /&gt;
*wheres? The whole world, wheter taking or not taking part&lt;br /&gt;
*when? Since 1960&lt;br /&gt;
*semiotic-materialities: Silence, struggle from palestinians to make visible their relation. Israely apparatus manages to silence what's happening there, creating a virtuality that ends up in world politics and people indulgence towards this situation.&lt;br /&gt;
&lt;br /&gt;
== David Reimer ==&lt;br /&gt;
(Ibai)&lt;br /&gt;
&lt;br /&gt;
*what is going on here? David Reimer was the eldest of identical twins, originally named Bruce and Brian. At the age of six months, they were diagnosed with phimosis and were referred for circumcision, but the procedure did not go as planned, and Bruce's penis was burned beyond surgical repair. The parents, concerned about their son's prospects for future happiness and sexual function without a penis, took him to see John Money, a psychologist who claimed that Reimer would be more likely to achieve successful, functional sexual maturation as a girl than as a boy. At the age of 22 months, his testes were surgically removed and was reassigned to be raised as female and given the name Brenda. Estrogen was given during adolescence, inducing breast development. By the age of 13 years, Reimer was experiencing suicidal depression. Finally, on 14 March 1980, his parents told him the truth about his gender reassignment. At 14, Reimer decided to assume a male gender identity, calling himself David. By 1987, Reimer had undergone treatment to reverse the reassignment, including testosterone injections, a double mastectomy, and two phalloplasty operations. In addition to a difficult lifelong relationship with his parents, Reimer had to deal with unemployment and the death of his brother Brian, who had developed schizophrenia. On the morning of 4 May 2004, David took his own life.&lt;br /&gt;
*which are the agents implied? Twins, Parents, Doctors, Media... Gender Binary, La voluntad de reparación, El pánico ante lo queer.&lt;br /&gt;
*wheres? Hospital, Home, People’s mind, David's body, Media.&lt;br /&gt;
*whens? Life-long, as they were all drastic decisions.&lt;br /&gt;
*semiotic-materialities: what signs and matters are at work in this ensemble? Biological, discursive, linguistic, medical, quirurgic, aesthetic, identitary material/matters.&lt;br /&gt;
*your entanglement with the scene. As someone who consumes it as food for thought because it helps to unpack many interesting problematics.&lt;br /&gt;
*can a pattern be identified here? Yes, binary pattern, doctor patient hierarchy, lack of agency, on the other hand, it calls for attention to trans-exclusionary (who, on the contrary, face difficulties accessing this very technologies) patterns.&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=96</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=96"/>
		<updated>2018-10-19T14:38:21Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
 * Transgenic Living Sensor Fish&lt;br /&gt;
&lt;br /&gt;
On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. &lt;br /&gt;
&lt;br /&gt;
GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. &lt;br /&gt;
&lt;br /&gt;
    * Hydraponic fish for permacutlure (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
      Permaculture visions in which fish filter the water for plants&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: Permaculture experts, fish many species who can live in fish tanks for example goldfish, tanks, plants, compounds, fossil fuels (or lack of), climate, soil(in its absence). &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: permaculture communities, homes, gardens, destroyed soils. &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: enduring, replaceable, repeated, near futures, possible futures, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?: alternative economies, permaculture agriculture, survival politics, off grid politics, speculative futures, food futures, fish corporealities, capacities of fish bodies to clean and filter water, imaginaries of symbiosis, fish as less animate, fish as labourer, fish as tool/source. &lt;br /&gt;
    - Your entanglement with the scene: writing about it here, learning about it in a permaculture promotion talk from Starhawk.&lt;br /&gt;
    - can a pattern be identified here? not accounting for the liveliness of fish, exploitation of fish creative force, anthropocentrism, anthronormativity in future visionings to protect human life.  to what extent is this damage structural, or singular? fish damage, plant growth, human food, and entangled web of suffering and damage. &lt;br /&gt;
&lt;br /&gt;
    * biological computation  &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
      Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating &lt;br /&gt;
      models and designs for immunisations and pharmaceuticals. &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated:  as fast as possible by some, maybe as slow as possible by others &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.&lt;br /&gt;
    - Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.&lt;br /&gt;
    - can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled&lt;br /&gt;
    &lt;br /&gt;
    * chip critters (Helen)&lt;br /&gt;
    - what is going on here? Use of microbes as a computer component - often used to signal toxicity in harmful scenes such as oil spills or waste plants. &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless microbes such as bacterias or algae, waste managers, oil spill cleanup workers, other nonhumans also at risk of toxicity from these scenes such as plants, marine life etc, at risk human workers, human residents in these scenes, network infrastructures, software, servers, clouds, silicon, chips, sensor labs - hi tech, life INC, workers in the global south.&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: global south component production, chip production in sensor labs clean rooms, toxic scenes landfill, mining waste, spill sites and their distributions globally. Monitoring or remediation takes sites at places where government/corporations/those with resources demarcate human/nonhuman others as needing protection.&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: crisis crisis crisis, post drill, post spill , post kill.&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? Toxic for some but not others, protection for some but not others, sometimes anthocentrism, benavolence, imaginaries of environmental protection, electrons, proteins, minerals, endocrines, bodily processes, contaminants, PCBS, chemical infrastrucures, gender panic. &lt;br /&gt;
    - Your entanglement with the scene: user of fossil fuels, ethnography of chips, environmental concerns&lt;br /&gt;
    - can a pattern be identified here? patterning datas, who gets to matter, patterns of injury, matabolisms to what extent is this damage structural, or singular? both?&lt;br /&gt;
&lt;br /&gt;
    * cryopolitics (jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
    - what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
  * endocrine disruption (jxxx)&lt;br /&gt;
 [[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * turbocapitalism (jxxx)&lt;br /&gt;
[[File:Cable.jpeg]]&lt;br /&gt;
&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cosmic rays and bit flipping (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * aqua_forensic (laura)&lt;br /&gt;
    - what is going on here? invisible anthropogenic (pharmaceutical) chemical pollutants&lt;br /&gt;
    - which are the agents implied? humans, oceans, chemicals, molecules, phantoms, organisms, rocks&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution. World’s waters&lt;br /&gt;
    - whens?  temporality / durability / existing / extinct / repeated: repetition, extension, perpetuated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? ghost haunting, bodily of the waters, chemical structures, the fluidity of flows, water-media&lt;br /&gt;
    - Your entanglement with the scene: learn from the displacements required for measurements in terms of f bioacoustics, vibrations and presences &lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular? aquatic animals, micro-organisms, humans, &lt;br /&gt;
development patterns of all living organisms. Structural damage/scale: from the micro level (viruses, bacteria and other microorganisms)to the largest organisms in the oceans&lt;br /&gt;
&lt;br /&gt;
    * Botanist - Tsing (laura)&lt;br /&gt;
    [[File:Mushrooms-on-the-ruins.jpg]]&lt;br /&gt;
    - what is going on here? course of millions of years, one might imagine that spores could spread the species.1&lt;br /&gt;
There is something about the stratosphere that inspires airy dreams. Imagine, spores&lt;br /&gt;
circling the globe!&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: plants, microbes, fungus, humans, spores, movement, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: individuality non individuality, specie, many genetic-signature &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: open-ended &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? liminal, exploration, enacted in material terms,  cooperation, collaborative ways of living, interconnection, materials and methods&lt;br /&gt;
    - Your entanglement with the scene: to hack the expectation of scaling up. Nonscalability- Scalability and indeterminacy, transformative relations &lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular? Hegemony of scalability, herbaria, data-bases-taxonomy &lt;br /&gt;
&lt;br /&gt;
    * Oncomouse (laura)&lt;br /&gt;
      [[File:oncomouse.jpg]]&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * GMO bacteria (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: bacteria, humans, gadgets, proteins&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: labs, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: now, possible nows, possible futures &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? promises of healing, cure, reparations&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
* Mariana dam disaster (tayrine)&lt;br /&gt;
&lt;br /&gt;
[[File:5656f368c36188101b8b4572.JPG]]&lt;br /&gt;
&lt;br /&gt;
- what is going on here? -&amp;gt; 19 people dead / the worst enviorenmental disaster / 40m liters of water and sediment from iron extraction / mud have destroyed houses, memories, dreams, futures.&lt;br /&gt;
   - which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; Vale and BHP Biliton companies / engineers / the goverment / monetary interests / inhabitants, flora and fauna, minerals, landscape / Dem structure / Capital flows, stocks&lt;br /&gt;
   - wheres? spatiality / situatedness / displacements / distribution -&amp;gt; The city of Mariana, the city of Governador Valadares, Doce river, the city of Bento Rodrigues, state of MG / throughout the flow of the river to the ocean / Forests around the cities / the ground.&lt;br /&gt;
   - whens? temporality / durability / existing / extinct / repeated -&amp;gt; 2015 - ongoing &lt;br /&gt;
   - semiotic-materialities: what signs and matters are at work in this ensemble? Dispute of the companies trying to lower the financial punishment. Fines. Damage to their reputation. The goverment trying to show they were doing the best to &amp;quot;repair&amp;quot;. Companies trying to show they were doing the best they could. &lt;br /&gt;
   - Your entanglement with the scene -&amp;gt; Emotional relationships / Care - Friends, land and enviorenment&lt;br /&gt;
   - can a pattern be identified here? to what extent is this damage structural, or singular? -&amp;gt; Structural. It's related to capital, goverment puting in the center the capital instead of nature, human and animal rights etc. Imperialist relationship from companies with the land and the resources. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*dominación de caballos&lt;br /&gt;
- what is going on here? -&amp;gt; se invisibilidad y silencia el daño al caballo. El caballo no expresa dolor como mecanismo de defensa porque es una presa, y si lo expresara sería una presa mucho más fácil. Todo el deporte hípico se basa en dolor al caballo que no expresa pero que sirve para que obedezca al humano. Esta dominación está construida sobre una serie de supuestos que son falsos: el caballo no sufre, es feliz, está bien alimentado, vive en buenas condiciones&lt;br /&gt;
&lt;br /&gt;
- which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; humanos y animales. El deporte hípico, el capital cultural y de clase que supone la doma o tener un caballo.&lt;br /&gt;
 &lt;br /&gt;
- wheres? spatiality / situatedness / displacements / distribution -&amp;gt; Las hípicas tradicionales con caballos en establos concentran este dolor. Escala global. &lt;br /&gt;
&lt;br /&gt;
- whens? temporality / durability / existing / extinct / repeated -&amp;gt; históricamente se ha dominado al caballo desde una perspectiva utilitaria: desde el uso de carga al terapéutico, el deportivo… &lt;br /&gt;
&lt;br /&gt;
- semiotic-materialities: what signs and matters are at work in this ensemble? -&amp;gt; A nivel semiotic se ha ignorado el lenguaje del caballo para perpetuar el dolor. Se han creado mitos como que el caballo necesita un líder (no es cierto, en libertad el caballo se auto organiza). Se ha generado un universo simbólico alrededor del caballo basado en nociones humanas que es falso.’&lt;br /&gt;
&lt;br /&gt;
- Your entanglement with the scene -&amp;gt; Yo también he participado en esa dominación, empecé desde ahí. Poco a poco he ido intentando reparar ese daño alterando la relación con los caballos, ahora estoy en un refugio de caballos rescatados donde no se les monta y se aprende etología para reparar el daño que han sufrido en hípicas tradicionales desde relaciones en la tierra de igual a igual&lt;br /&gt;
&lt;br /&gt;
- can a pattern be identified here? to what extent is this damage structural, or singular? -&amp;gt; El mismo patrón de dominación que históricamente se ha repetido a través del binarismo ontológico: el caballo es otro no-humano al que puedes dominar -de la misma forma que se ha hecho con la mujer, el negro, el animal, etc. El otro no sufre, no tiene emociones, es inferior. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*animales de compañía&lt;br /&gt;
- what is going on here?&lt;br /&gt;
animales de compañía en casa, muchas veces es un capricho, se mueve, te da cariño. Tu decides por el animal, que se recluye en una casa y le impones tus condiciones de vida. Es una convivencia forzada.&lt;br /&gt;
&lt;br /&gt;
- which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
Humanos, y animales de compañía, la industria de compra venta, la industria de los pedigris, de comida para animales, juguetes, veterinarios etc.&lt;br /&gt;
&lt;br /&gt;
- wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
ámbito doméstico, pero también en la industria&lt;br /&gt;
&lt;br /&gt;
- whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
históricamente, fin utilitarista de los animales. La industrialización y las ciudades, animales domésticos en apartamentos. obsesión por las razas, perros grandes en casas.&lt;br /&gt;
&lt;br /&gt;
- semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
Imaginario: el animal de compañía es un ser naif que te va a dar amor incondicional, y cubrir tus carencias emocionales. El compromiso se trata de manera superficial, no se trata solamente de no abandonarlo.&lt;br /&gt;
&lt;br /&gt;
- Your entanglement with the scene&lt;br /&gt;
&lt;br /&gt;
Belen tiene una gata, Marty, lo adoptó con compromiso pero con ingenuidad. La convivencia con ella le hace entender como la vida pasa por las dos. Actualmente entiende la relación como un compromiso muto de por vida. Siente que el cuidado es mutuo. Marty vive en une espacio reducido pero ahí será libre, x ej. puede arañara lo que quiera. Belen tiene le privilegio de elegir donde vivir entonces se trata de elegir lugares donde las dos estén bien.&lt;br /&gt;
&lt;br /&gt;
- can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
Es un daño estructural porque no entendemos los modos de ser no-humanos como algo que tenga el mismo valor que los humanos.&lt;br /&gt;
&lt;br /&gt;
 *  (alba)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: bacteria, humans, gadgets, proteins&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: labs, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: now, possible nows, possible futures &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? promises of healing, cure, reparations&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
 El perro y los rumanos&lt;br /&gt;
    - what is going on here? un perro muerto. los rumanos que viviendo al lado. el racismo toma cuerpo. el desalojo. el silencio.&lt;br /&gt;
    - which are the agents implied?&lt;br /&gt;
descampado, especulación, perro, portero, el trabajo,&lt;br /&gt;
    - wheres? descampado, calle,&lt;br /&gt;
    - whens? 10 años, una noche, &amp;quot;tengo prisa para llegar al trabajo&amp;quot;, nunca más, un edificio que se va a contruir&lt;br /&gt;
    - semiotic-materialities: &lt;br /&gt;
grafitis, una puerta tapiada, el silencio como marca&lt;br /&gt;
- Your entanglement with the scene: vecindad que no es&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
racismo estructural, vidas desplazables, el territorio&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Allergies/intolerance&lt;br /&gt;
 - what is going on here? Experiences of uncomfortable, restricting, violent reactions to physical interactions with certain environmental elements/agents. Part of the harm done is locating the production of harm (intolerance) with the subject and to locate harmlessness (tolerance?) with the agent. Allergy as a lack of adaptation? Is lack of allergy a sign of success?&lt;br /&gt;
 - which are the agents implied? A human body, a digestive aparatus, a resparative aparatus, an immune system developing over time, environmental agents interacting with other elements, social habits and customs (culinary, domestic, ...), a transforming environment, climate change, saliva, micro-biom/microbiological life.&lt;br /&gt;
 - wheres? A human body in the kitchen, a human body on the street, a human body incorporating other bodies (animal, plant, chemical)&lt;br /&gt;
 - whens? Developing over time, temporal activation, interacting with another timescale. Irreversible … or not?&lt;br /&gt;
 - semiotic-materialities: difficulty breathing, stomach ache, itching, separation between human and elements. Air borne, animal production, ...&lt;br /&gt;
 - Your entanglement with the scene: I am both the cause and the victim of this harmful interaction.&lt;br /&gt;
 - can a pattern be identified here? Individual/collective: Increasing clarity/awareness on how to detect and act in order to avoid harmful interactions. Collective: increasing allergies and intolerances.&lt;br /&gt;
&lt;br /&gt;
* &amp;lt;del&amp;gt;l'arabe/arabische&amp;lt;/del&amp;gt;&lt;br /&gt;
 - what is going on here? A colonial monument situated in Brussels celebrating the intervention of Belgian military freeing congoles subjects from arabic slavetraders. The monument is being attacked, repaired, re-inscribed, cleaned, &lt;br /&gt;
 - which are the agents implied? the weather, a sculpture, words: arabisch/l'arabe, marker, colonialism, fascists, passers-by, documenters, public administration, veterans, ...&lt;br /&gt;
 - wheres? Congo, Cinquantenaire park, next to a mosque&lt;br /&gt;
 - when? Colonisation of congo, erection of the monument, interventions (1990, 1991 and ongoing), ongoing weather, Belgian national identity construction (1885-current)&lt;br /&gt;
 - semiotic-materialities: sandstone, acid rain, language, violent interventions, rewriting, politics, description and documentation&lt;br /&gt;
 - can a pattern be identified here? Inscription, description, reinscription as an ongoing battlefield. Sediment. The monument is left to rot (non-reparation by/through laissez-faire).&lt;br /&gt;
&lt;br /&gt;
[[File:PWFU6595-1024x683.jpg]]&lt;br /&gt;
&lt;br /&gt;
Documentation: http://westenberg.constantvzw.org/?cat=11&lt;br /&gt;
&lt;br /&gt;
* the damage that implies invisibilizing the multiple voices that compose your one voice (ari)&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=71</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=71"/>
		<updated>2018-10-19T09:01:42Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;br /&gt;
&lt;br /&gt;
[[READER]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=70</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=70"/>
		<updated>2018-10-19T09:01:24Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;br /&gt;
&lt;br /&gt;
[[READER]]&lt;br /&gt;
[[new page]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=About&amp;diff=69</id>
		<title>About</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=About&amp;diff=69"/>
		<updated>2018-10-19T09:00:18Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Collaborative workshop with Helen Pritchard, Jara Rocha and Laura Benítez in the framework of the Biennal del Pensament.&lt;br /&gt;
&lt;br /&gt;
As genetically engineered organisms “designed” as computer components are enrolled into environmental becomings of remeditation, and our wild fantasies of (micro)bio-analytics generating lively capital proliferate, technoenvironmental entanglements and their political fictions are invoking practices at a worldmaking scale. Envirocomputing and its production of new ecological arrangements stretches far out beyond the lab –exploiting intensively the lively labours and frictions of nonhuman animals and organisms through ever-accelerating affective, semiotic and material practices.Our co-compositions/becoming-with both the internet and other digital informational networks and/or devices are ever more entangled strongly in our situated nonlocal “we”s. These scenes exploit nonhuman organisms to sustain particular modes of living, however these exploitations also create opportunities for reparations and for creative contestation–provoking an urgency to queer the how-tos! Our collective challenge is that queer technoscience is nowhere near queer enough as a research practice and needs some anthronormativies radically taken apart from itself.&lt;br /&gt;
&lt;br /&gt;
In a one-day workshop, we will gather temporarily to wonder together about the potential queer analytics of microbial, animal, plant, mineral, cosmological technoscience, situating ourselves in these mundane and alluring scenes– as an invitation to consider these labours and imagine a collective life otherwise. We will ponder the possibilities and limitation of informatics; and will take seriously the affective forces of nonhuman animals and machines. We ask how might we extend queer theories that concern personal injury into more- than- human ensembles in order to consider the damages shared by humans and nonhumans? How can we generate ways that take us beyond reparative narratives or benevolent utopianism towards more-than-human life?&lt;br /&gt;
&lt;br /&gt;
We look to provide ourselves with a queer “doing” within sinister computed environments and instead of focusing on a co-flourishing of humans and nonhumans, we propose that we might pay attention to the damage, injury, harms and constraints placed on the possibilities of life and brought about through informatics/technosciences. If we focus on a genealogy of injury in queer studies, can we recognise a willingness to investigate darker aspects of experience? How might we reroute the frictions of queering technoscience as something that engages with the powerful negativity of queer as a form of punk politics rather than an established boundary or focus on sex practices of ontologically secure essentially fixed bodies . This workshop is hence proposed as a collective how-to composition for partially reparative research – without guarantee!! . Absolutely dependant on the harms and methodological difficulties that each participant brings with her.&lt;br /&gt;
&lt;br /&gt;
This workshop is Anti-Copyright&lt;br /&gt;
It will happen in English&lt;br /&gt;
&lt;br /&gt;
https://hangar.org/en/recerca/noticies/workshop-collaboratiu-amb-helen-pritchard-jara-rocha-i-laura-benitez/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
--[[File:Frozenembryos-520157312.jpg]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=68</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=68"/>
		<updated>2018-10-19T07:20:18Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
 * Transgenic Living Sensor Fish&lt;br /&gt;
&lt;br /&gt;
On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. &lt;br /&gt;
&lt;br /&gt;
GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. &lt;br /&gt;
&lt;br /&gt;
    * Hydraponic fish for permacutlure (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
      Permaculture visions in which fish filter the water for plants&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: Permaculture experts, fish many species who can live in fish tanks for example goldfish, tanks, plants, compounds, fossil fuels (or lack of), climate, soil(in its absence). &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: permaculture communities, homes, gardens, destroyed soils. &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: enduring, replaceable, repeated, near futures, possible futures, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?: alternative economies, permaculture agriculture, survival politics, off grid politics, speculative futures, food futures, fish corporealities, capacities of fish bodies to clean and filter water, imaginaries of symbiosis, fish as less animate, fish as labourer, fish as tool/source. &lt;br /&gt;
    - Your entanglement with the scene: writing about it here, learning about it in a permaculture promotion talk from Starhawk.&lt;br /&gt;
    - can a pattern be identified here? not accounting for the liveliness of fish, exploitation of fish creative force, anthropocentrism, anthronormativity in future visionings to protect human life.  to what extent is this damage structural, or singular? fish damage, plant growth, human food, and entangled web of suffering and damage. &lt;br /&gt;
&lt;br /&gt;
    * biological computation  &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
      Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating &lt;br /&gt;
      models and designs for immunisations and pharmaceuticals. &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated:  as fast as possible by some, maybe as slow as possible by others &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.&lt;br /&gt;
    - Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.&lt;br /&gt;
    - can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled&lt;br /&gt;
    &lt;br /&gt;
    * chip critters (Helen)&lt;br /&gt;
    - what is going on here? Use of microbes as a computer component - often used to signal toxicity in harmful scenes such as oil spills or waste plants. &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless microbes such as bacterias or algae, waste managers, oil spill cleanup workers, other nonhumans also at risk of toxicity from these scenes such as plants, marine life etc, at risk human workers, human residents in these scenes, network infrastructures, software, servers, clouds, silicon, chips, sensor labs - hi tech, life INC, workers in the global south.&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: global south component production, chip production in sensor labs clean rooms, toxic scenes landfill, mining waste, spill sites and their distributions globally. Monitoring or remediation takes sites at places where government/corporations/those with resources demarcate human/nonhuman others as needing protection.&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: crisis crisis crisis, post drill, post spill , post kill.&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? Toxic for some but not others, protection for some but not others, sometimes anthocentrism, benavolence, imaginaries of environmental protection, electrons, proteins, minerals, endocrines, bodily processes, contaminants, PCBS, chemical infrastrucures, gender panic. &lt;br /&gt;
    - Your entanglement with the scene: user of fossil fuels, ethnography of chips, environmental concerns&lt;br /&gt;
    - can a pattern be identified here? patterning datas, who gets to matter, patterns of injury, matabolisms to what extent is this damage structural, or singular? both?&lt;br /&gt;
&lt;br /&gt;
    * cryopolitics (jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
    - what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
  * endocrine disruption (jxxx)&lt;br /&gt;
 [[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * turbocapitalism (jxxx)&lt;br /&gt;
[[File:Cable.jpeg]]&lt;br /&gt;
&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cosmic rays and bit flipping (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * aqua_forensic (laura)&lt;br /&gt;
    - what is going on here? invisible anthropogenic (pharmaceutical) chemical pollutants&lt;br /&gt;
    - which are the agents implied? humans, oceans, chemicals, molecules, phantoms, organisms, rocks&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution. World’s waters&lt;br /&gt;
    - whens?  temporality / durability / existing / extinct / repeated: repetition, extension, perpetuated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? ghost haunting, bodily of the waters, chemical structures, the fluidity of flows, water-media&lt;br /&gt;
    - Your entanglement with the scene: learn from the displacements required for measurements in terms of f bioacoustics, vibrations and presences &lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular? aquatic animals, micro-organisms, humans, &lt;br /&gt;
development patterns of all living organisms. Structural damage/scale: from the micro level (viruses, bacteria and other microorganisms)to the largest organisms in the oceans&lt;br /&gt;
&lt;br /&gt;
    * Botanist - Tsing (laura)&lt;br /&gt;
    [[File:Mushrooms-on-the-ruins.jpg]]&lt;br /&gt;
    - what is going on here? course of millions of years, one might imagine that spores could spread the species.1&lt;br /&gt;
There is something about the stratosphere that inspires airy dreams. Imagine, spores&lt;br /&gt;
circling the globe!&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: plants, microbes, fungus, humans, spores, movement, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: individuality non individuality, specie, many genetic-signature &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: open-ended &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? liminal, exploration, enacted in material terms,  cooperation, collaborative ways of living, interconnection, materials and methods&lt;br /&gt;
    - Your entanglement with the scene: to hack the expectation of scaling up. Nonscalability- Scalability and indeterminacy, transformative relations &lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular? Hegemony of scalability, herbaria, data-bases-taxonomy &lt;br /&gt;
&lt;br /&gt;
    * Oncomouse (laura)&lt;br /&gt;
      [[File:oncomouse.jpg]]&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * GMO bacteria (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: bacteria, humans, gadgets, proteins&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: labs, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: now, possible nows, possible futures &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? promises of healing, cure, reparations&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Cable.jpeg&amp;diff=67</id>
		<title>File:Cable.jpeg</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Cable.jpeg&amp;diff=67"/>
		<updated>2018-10-19T07:19:50Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=66</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=66"/>
		<updated>2018-10-19T07:17:16Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
 * Transgenic Living Sensor Fish&lt;br /&gt;
&lt;br /&gt;
On the printed news pages of a Hong Kong newspaper, thousands of glowing rice fish, appear to illuminate the green waters of Victoria harbour in a spectacular display. The headline of the article, reads “Harbour Dirty, Fish Illuminate”. The news report tells the story of a dirty harbour polluted by Chinese industry, illuminated by the trails of glowing genetically engineered fish. This is the harbour famous around the world for the light show that takes place every night for tourists. Skyscrapers that line the harbour are illuminated in changing patterns that imply they can communicate with one another, and the lights and laser patterns are reflected in the surface of the water. The newspaper's ink-soaked pages depict water-level constellations of green fluorescent light, spreading outwards from the skyscrapers of Hong Kong’s financial district, in a shimmering pattern that appears on the waterfront. In this toxic light show as petrochemicals from the industries and production of Guanzong province circulate through the Hong Kong basin, they appear, fleetingly, as glowing traces, illuminated by the bodies of transgenic fish as they glow in response to the presence of the chemicals. In this scene, toxicity is an interruption, a disturbance, that forges new relations and disorganizes accustomed ways of being. &lt;br /&gt;
&lt;br /&gt;
GFP Medaka as a diffractive figure, through which toxicity, feminist theory, computation and toxicity are parsed. Engineered as a living environmental sensor the GFP Medaka has been patented to “make” determinate the presence of estrogenic endocrine (hormone) disruptors (EEDs) in marine water, fresh water, food, and cosmetics. In the presence of estrogen, the transgenic Medaka fish express a modified gene and synthesise green fluorescent protein in their liver–-and the intensity of this fluorescence is measured by executing an algorithm that counts the brightness of the pixels when the fish are viewed under a microscope. As the GFP Medaka in the pipet swim towards the solution in the wells, or they emit an excited fluorescent glow, as the light from the microscope passes through them, my engagements with them seem to illuminate their enduring liveliness of suffering. &lt;br /&gt;
&lt;br /&gt;
    * Hydraponic fish for permacutlure (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
      Permaculture visions in which fish filter the water for plants&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: Permaculture experts, fish many species who can live in fish tanks for example goldfish, tanks, plants, compounds, fossil fuels (or lack of), climate, soil(in its absence). &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: permaculture communities, homes, gardens, destroyed soils. &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: enduring, replaceable, repeated, near futures, possible futures, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?: alternative economies, permaculture agriculture, survival politics, off grid politics, speculative futures, food futures, fish corporealities, capacities of fish bodies to clean and filter water, imaginaries of symbiosis, fish as less animate, fish as labourer, fish as tool/source. &lt;br /&gt;
    - Your entanglement with the scene: writing about it here, learning about it in a permaculture promotion talk from Starhawk.&lt;br /&gt;
    - can a pattern be identified here? not accounting for the liveliness of fish, exploitation of fish creative force, anthropocentrism, anthronormativity in future visionings to protect human life.  to what extent is this damage structural, or singular? fish damage, plant growth, human food, and entangled web of suffering and damage. &lt;br /&gt;
&lt;br /&gt;
    * biological computation  &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
      Methods, tools and softwares for understanding biological process such as amino acid production. Used in biomedical science for generating &lt;br /&gt;
      models and designs for immunisations and pharmaceuticals. &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: software, operating systems, hardware, compute powers, platforms, databases, expert scientists, technicians, synthetic proteins, non-synthetic proteins, nonhuman animals, patients, big pharma, academic funding, government policies, borders/not borders, biohackers, DIY biologists.&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution laboratories across a variety, garages?, network infrastructures, cloud storage, screens, CPU's, browsers, wetlabs/drylabs, imagaintions, science fictions, press releases, news sites. &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated:  as fast as possible by some, maybe as slow as possible by others &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? bodies, cellular operations, biological signals, hormones, proteins, hard drives, rare minerals, networks speeds, naming, classification systems, discourse of cure, treatment, immunisation, discovery.&lt;br /&gt;
    - Your entanglement with the scene: watching rotating models on the screen, imagined body/patient, amateur as an axis to their expertise.&lt;br /&gt;
    - can a pattern be identified here? patterns drive these practices to what extent is this damage structural, or singular? both entangled&lt;br /&gt;
    &lt;br /&gt;
    * chip critters (Helen)&lt;br /&gt;
    - what is going on here? Use of microbes as a computer component - often used to signal toxicity in harmful scenes such as oil spills or waste plants. &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless microbes such as bacterias or algae, waste managers, oil spill cleanup workers, other nonhumans also at risk of toxicity from these scenes such as plants, marine life etc, at risk human workers, human residents in these scenes, network infrastructures, software, servers, clouds, silicon, chips, sensor labs - hi tech, life INC, workers in the global south.&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: global south component production, chip production in sensor labs clean rooms, toxic scenes landfill, mining waste, spill sites and their distributions globally. Monitoring or remediation takes sites at places where government/corporations/those with resources demarcate human/nonhuman others as needing protection.&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: crisis crisis crisis, post drill, post spill , post kill.&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? Toxic for some but not others, protection for some but not others, sometimes anthocentrism, benavolence, imaginaries of environmental protection, electrons, proteins, minerals, endocrines, bodily processes, contaminants, PCBS, chemical infrastrucures, gender panic. &lt;br /&gt;
    - Your entanglement with the scene: user of fossil fuels, ethnography of chips, environmental concerns&lt;br /&gt;
    - can a pattern be identified here? patterning datas, who gets to matter, patterns of injury, matabolisms to what extent is this damage structural, or singular? both?&lt;br /&gt;
&lt;br /&gt;
    * cryopolitics (jxxx)&lt;br /&gt;
&lt;br /&gt;
[[File:Frozenembryos-520157312.jpg]]&lt;br /&gt;
&lt;br /&gt;
    - what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
  * endocrine disruption (jxxx)&lt;br /&gt;
 [[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * turbocapitalism (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cosmic rays and bit flipping (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * aqua_forensic (laura)&lt;br /&gt;
    - what is going on here? invisible anthropogenic (pharmaceutical) chemical pollutants&lt;br /&gt;
    - which are the agents implied? humans, oceans, chemicals, molecules, phantoms, organisms, rocks&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution. World’s waters&lt;br /&gt;
    - whens?  temporality / durability / existing / extinct / repeated: repetition, extension, perpetuated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? ghost haunting, bodily of the waters, chemical structures, the fluidity of flows, water-media&lt;br /&gt;
    - Your entanglement with the scene: learn from the displacements required for measurements in terms of f bioacoustics, vibrations and presences &lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular? aquatic animals, micro-organisms, humans, &lt;br /&gt;
development patterns of all living organisms. Structural damage/scale: from the micro level (viruses, bacteria and other microorganisms)to the largest organisms in the oceans&lt;br /&gt;
&lt;br /&gt;
    * Botanist - Tsing (laura)&lt;br /&gt;
    [[File:Mushrooms-on-the-ruins.jpg]]&lt;br /&gt;
    - what is going on here? course of millions of years, one might imagine that spores could spread the species.1&lt;br /&gt;
There is something about the stratosphere that inspires airy dreams. Imagine, spores&lt;br /&gt;
circling the globe!&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: plants, microbes, fungus, humans, spores, movement, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: individuality non individuality, specie, many genetic-signature &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: open-ended &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? liminal, exploration, enacted in material terms,  cooperation, collaborative ways of living, interconnection, materials and methods&lt;br /&gt;
    - Your entanglement with the scene: to hack the expectation of scaling up. Nonscalability- Scalability and indeterminacy, transformative relations &lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular? Hegemony of scalability, herbaria, data-bases-taxonomy &lt;br /&gt;
&lt;br /&gt;
    * Oncomouse (laura)&lt;br /&gt;
      [[File:oncomouse.jpg]]&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * GMO bacteria (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless: bacteria, humans, gadgets, proteins&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution: labs, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated: now, possible nows, possible futures &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble? promises of healing, cure, reparations&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=File:Frozenembryos-520157312.jpg&amp;diff=65</id>
		<title>File:Frozenembryos-520157312.jpg</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=File:Frozenembryos-520157312.jpg&amp;diff=65"/>
		<updated>2018-10-19T07:11:03Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=38</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=38"/>
		<updated>2018-10-18T21:30:57Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;br /&gt;
&lt;br /&gt;
[[READER]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=37</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=37"/>
		<updated>2018-10-18T19:34:07Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;br /&gt;
&lt;br /&gt;
[[READER]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=36</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=36"/>
		<updated>2018-10-18T18:43:29Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
&lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: &lt;br /&gt;
&lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
&lt;br /&gt;
i integrate&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt; * &amp;lt;/nowiki&amp;gt; multiply&lt;br /&gt;
&lt;br /&gt;
&amp;lt;nowiki&amp;gt; # &amp;lt;/nowiki&amp;gt; speculate&lt;br /&gt;
&lt;br /&gt;
&amp;quot;  renarrate&lt;br /&gt;
&lt;br /&gt;
♥ love&lt;br /&gt;
&lt;br /&gt;
↺protest&lt;br /&gt;
&lt;br /&gt;
♙resist&lt;br /&gt;
&lt;br /&gt;
♞reclaim&lt;br /&gt;
&lt;br /&gt;
↻invent&lt;br /&gt;
&lt;br /&gt;
✵flip&lt;br /&gt;
&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS&lt;br /&gt;
 &lt;br /&gt;
Ω repair&lt;br /&gt;
&lt;br /&gt;
Δ damage&lt;br /&gt;
&lt;br /&gt;
a affects&lt;br /&gt;
&lt;br /&gt;
∃ effects&lt;br /&gt;
&lt;br /&gt;
© creative force&lt;br /&gt;
&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///AXIOMS &lt;br /&gt;
 &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
//FIELDS &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
= '''queer analytics'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;br /&gt;
+ tricks to write formulae: https://meta.wikimedia.org/wiki/Help:Displaying_a_formula&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=35</id>
		<title>Main Page</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=Main_Page&amp;diff=35"/>
		<updated>2018-10-18T18:40:23Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;QUEERING DAMAGE&lt;br /&gt;
methodologies for partial reparation... or not&lt;br /&gt;
&lt;br /&gt;
[[about]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 0]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 1]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 3]]&lt;br /&gt;
&lt;br /&gt;
[[OPERATION 2]]&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=34</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=34"/>
		<updated>2018-10-18T18:39:43Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
&lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: &lt;br /&gt;
&lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
&lt;br /&gt;
i integrate&lt;br /&gt;
&lt;br /&gt;
* multiply&lt;br /&gt;
&lt;br /&gt;
# speculate&lt;br /&gt;
&lt;br /&gt;
&amp;quot;  renarrate&lt;br /&gt;
&lt;br /&gt;
♥ love&lt;br /&gt;
&lt;br /&gt;
↺protest&lt;br /&gt;
&lt;br /&gt;
♙resist&lt;br /&gt;
&lt;br /&gt;
♞reclaim&lt;br /&gt;
&lt;br /&gt;
↻invent&lt;br /&gt;
&lt;br /&gt;
✵flip&lt;br /&gt;
&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS&lt;br /&gt;
 &lt;br /&gt;
Ω repair&lt;br /&gt;
&lt;br /&gt;
Δ damage&lt;br /&gt;
&lt;br /&gt;
a affects&lt;br /&gt;
&lt;br /&gt;
∃ effects&lt;br /&gt;
&lt;br /&gt;
© creative force&lt;br /&gt;
&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///AXIOMS &lt;br /&gt;
 &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
//FIELDS &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
= '''queer analytics'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=33</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=33"/>
		<updated>2018-10-18T18:37:44Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
&lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: &lt;br /&gt;
&lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
&lt;br /&gt;
i integrate&lt;br /&gt;
&lt;br /&gt;
*  multiply&lt;br /&gt;
&lt;br /&gt;
#  speculate&lt;br /&gt;
&lt;br /&gt;
&amp;quot;  renarrate&lt;br /&gt;
&lt;br /&gt;
♥ love&lt;br /&gt;
&lt;br /&gt;
↺protest&lt;br /&gt;
&lt;br /&gt;
♙resist&lt;br /&gt;
&lt;br /&gt;
♞reclaim&lt;br /&gt;
&lt;br /&gt;
↻invent&lt;br /&gt;
&lt;br /&gt;
✵flip&lt;br /&gt;
&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS&lt;br /&gt;
 &lt;br /&gt;
Ω repair&lt;br /&gt;
&lt;br /&gt;
Δ damage&lt;br /&gt;
&lt;br /&gt;
a affects&lt;br /&gt;
&lt;br /&gt;
∃ effects&lt;br /&gt;
&lt;br /&gt;
© creative force&lt;br /&gt;
&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///AXIOMS &lt;br /&gt;
 &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
//FIELDS &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
= '''queer analytics'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=32</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=32"/>
		<updated>2018-10-18T18:37:07Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
&lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: &lt;br /&gt;
&lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
&lt;br /&gt;
i integrate&lt;br /&gt;
&lt;br /&gt;
* multiply&lt;br /&gt;
&lt;br /&gt;
# speculate&lt;br /&gt;
&lt;br /&gt;
&amp;quot; renarrate&lt;br /&gt;
&lt;br /&gt;
♥ love&lt;br /&gt;
&lt;br /&gt;
↺protest&lt;br /&gt;
&lt;br /&gt;
♙resist&lt;br /&gt;
&lt;br /&gt;
♞reclaim&lt;br /&gt;
&lt;br /&gt;
↻invent&lt;br /&gt;
&lt;br /&gt;
✵flip&lt;br /&gt;
&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS&lt;br /&gt;
 &lt;br /&gt;
Ω repair&lt;br /&gt;
&lt;br /&gt;
Δ damage&lt;br /&gt;
&lt;br /&gt;
a affects&lt;br /&gt;
&lt;br /&gt;
∃ effects&lt;br /&gt;
&lt;br /&gt;
© creative force&lt;br /&gt;
&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///axioms &lt;br /&gt;
 &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
//FIELDS &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
= '''queer analytics'''&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=31</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=31"/>
		<updated>2018-10-18T18:35:53Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
&lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: &lt;br /&gt;
&lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
&lt;br /&gt;
i integrate&lt;br /&gt;
&lt;br /&gt;
* multiply&lt;br /&gt;
&lt;br /&gt;
# speculate&lt;br /&gt;
&lt;br /&gt;
&amp;quot; renarrate&lt;br /&gt;
&lt;br /&gt;
♥ love&lt;br /&gt;
&lt;br /&gt;
↺protest&lt;br /&gt;
&lt;br /&gt;
♙resist&lt;br /&gt;
&lt;br /&gt;
♞reclaim&lt;br /&gt;
&lt;br /&gt;
↻invent&lt;br /&gt;
&lt;br /&gt;
✵flip&lt;br /&gt;
&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS&lt;br /&gt;
 &lt;br /&gt;
Ω repair&lt;br /&gt;
&lt;br /&gt;
Δ damage&lt;br /&gt;
&lt;br /&gt;
a affects&lt;br /&gt;
&lt;br /&gt;
∃ effects&lt;br /&gt;
&lt;br /&gt;
© creative force&lt;br /&gt;
&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
///axioms &lt;br /&gt;
 &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
= queer analytics &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
//FIELDS &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=30</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=30"/>
		<updated>2018-10-18T18:34:32Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: &lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
i integrate&lt;br /&gt;
* multiply&lt;br /&gt;
# speculate&lt;br /&gt;
&amp;quot; renarrate&lt;br /&gt;
♥ love&lt;br /&gt;
↺protest&lt;br /&gt;
♙resist&lt;br /&gt;
♞reclaim&lt;br /&gt;
↻invent&lt;br /&gt;
✵flip&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS &lt;br /&gt;
Ω repair&lt;br /&gt;
Δ damage&lt;br /&gt;
a affects&lt;br /&gt;
∃ effects&lt;br /&gt;
© creative force&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
///axioms  &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
= queer analytics &lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;br /&gt;
&lt;br /&gt;
//FIELDS &lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=29</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=29"/>
		<updated>2018-10-18T18:33:18Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
-----------------------------&lt;br /&gt;
&lt;br /&gt;
ELEMENTS to work with:&lt;br /&gt;
---&lt;br /&gt;
fabulated equations&lt;br /&gt;
&lt;br /&gt;
Forumlae: &amp;quot;A formula is a special type of equation that shows the relationship between different variables&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Formula describes a scene&lt;br /&gt;
Equation is to be solved&lt;br /&gt;
&lt;br /&gt;
Repertoir/leggenda: &lt;br /&gt;
&lt;br /&gt;
///GENERATIVE OPERATIONS: ORANGE&lt;br /&gt;
&amp;gt;&amp;gt; remediate&lt;br /&gt;
^scale timespace to n&lt;br /&gt;
i integrate&lt;br /&gt;
* multiply&lt;br /&gt;
# speculate&lt;br /&gt;
&amp;quot; renarrate&lt;br /&gt;
♥ love&lt;br /&gt;
↺protest&lt;br /&gt;
♙resist&lt;br /&gt;
♞reclaim&lt;br /&gt;
↻invent&lt;br /&gt;
✵flip&lt;br /&gt;
⚕celebrate&lt;br /&gt;
&lt;br /&gt;
///VARIABLE RELATIONS GREEN AND PINK&lt;br /&gt;
Ω repair&lt;br /&gt;
Δ damage&lt;br /&gt;
a affects&lt;br /&gt;
∃ effects&lt;br /&gt;
© creative force&lt;br /&gt;
≠difference&lt;br /&gt;
&lt;br /&gt;
///axioms BLUE &lt;br /&gt;
αe axiom of ethics (survival, caretaking, respect, responsability)&lt;br /&gt;
αK Kapital (accumulation, acquisition, growth)&lt;br /&gt;
&lt;br /&gt;
= queer analytics &lt;br /&gt;
&lt;br /&gt;
(D+h+ Mc) x Lauren Berlant = QA -- &lt;br /&gt;
&lt;br /&gt;
+ at unicode chart -&amp;gt; https://unicode-table.com/en/&lt;br /&gt;
&lt;br /&gt;
//FIELDS YELLOW&lt;br /&gt;
&lt;br /&gt;
ᘒ On the experience and process of damage and pain, partial reparation, loss/disposession&lt;br /&gt;
፨ On queer politics and methodologies, contestation, affirmation&lt;br /&gt;
ᚼ On contesting anthronormativities&lt;br /&gt;
⚘ On bioeconomies, lively capital, accumulation&lt;br /&gt;
◊ On computation, analytics, bioinfotech&lt;br /&gt;
ᗶ On political fictions, poethics, figurations &amp;amp;/or wild fantasies, opportunities&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=28</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=28"/>
		<updated>2018-10-18T18:30:12Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
                                                                      αe                 QUEER ANALYTICS--  OPERATIONS + NONPROFIT EXPERIMENTS  --  QUEER ANALYTICS              OTHERWISE...OR NOT&lt;br /&gt;
&lt;br /&gt;
    ᘒ  ፨ ᚼ  ◊  ᗶ +   ^ + Æ (DAMAGE) / ∫   = ^ + ∬ /  (xΩ , xΔ, xa, x∃, x©, x≠)    +&amp;gt;&amp;gt; + i+*+ # +&amp;quot; +♥ + ↺+♙+ ♞ + ↺+ ✵+⚕ (tΩ , tΔ, ta, t∃, t©, t≠) =   QÆ (QUEERING DAMAGE OR N)&lt;br /&gt;
&lt;br /&gt;
                                                                    αK             SPECIFIC ENTANGLEMENT                                                ---                  PARTIAL REFIGURED ENTANGLEMENT&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=27</id>
		<title>OPERATION 2</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_2&amp;diff=27"/>
		<updated>2018-10-18T18:28:26Z</updated>

		<summary type="html">&lt;p&gt;Jara: Created page with &amp;quot; instructions:  1) define your field of interest - cut apart and togehter an area of urgency 2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF) 3) divide by the axioms...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
instructions:&lt;br /&gt;
&lt;br /&gt;
1) define your field of interest - cut apart and togehter an area of urgency&lt;br /&gt;
2) declare your AE: Entangled Agents (Æ = pH+pNH+pIH+pF)&lt;br /&gt;
3) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
4) define the spacetime conditioning: ʃT (ephemeral, eternal, cyclic, linear, continuous, eventual, historical present, memory, extincted, dreamed, extended, distributed, dissoluted, dispersed, concentrated, catalized, centrifugal, centripetal, located, situated, regional, local, global, reachable, micro, meso, macro...)&lt;br /&gt;
&lt;br /&gt;
5) analyze and notate the Æ through a consideration of its relations (Ω repair, Δ damage, a affects, E effects, (c) creative force, ≠difference)&lt;br /&gt;
&lt;br /&gt;
6) apply at least one operation for your analysis &lt;br /&gt;
7) declare your QÆ = qH+qNH+qIH+qF+qd)&lt;br /&gt;
8) divide by the axioms of αe (ethics) and αK (Kapital)&lt;br /&gt;
9) = Name your refigured QAE... or not...&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=25</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=25"/>
		<updated>2018-10-18T18:12:27Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
 * Transgenic fish (Helen)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * Hydraponic fish for permacutlure (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * biological computation (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * chip critters (Helen)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cryopolitics (jxxx)&lt;br /&gt;
    - what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
  * endocrine disruption (jxxx)&lt;br /&gt;
 [[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * turbocapitalism (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cosmic rays and bit flipping (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * aqua_forensic (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * Botanist - Tsing (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * Oncomouse (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * GMO bacteria (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
	<entry>
		<id>https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=24</id>
		<title>OPERATION 1</title>
		<link rel="alternate" type="text/html" href="https://queeringdamage.hangar.org/index.php?title=OPERATION_1&amp;diff=24"/>
		<updated>2018-10-18T18:12:00Z</updated>

		<summary type="html">&lt;p&gt;Jara: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Hereby some ensembles that gather damage in different modes:   &lt;br /&gt;
&lt;br /&gt;
 * Transgenic fish (Helen)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * Hydraponic fish for permacutlure (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * biological computation (Helen) &lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * chip critters (Helen)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cryopolitics (jxxx)&lt;br /&gt;
    - what is going on here? -&amp;gt; the management of life through the control of it based on temperature: freezing bodyparts, reproductive cells and embrios is a contemporary industry/market.&lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless -&amp;gt; eggs, freezers, thermometers, assisted reproduction companies, societal discourse and imagery, gendered bodies, &lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution -&amp;gt; in vitro, fridges, laboratories, waiting rooms, webpages, professional couch rooms, biology classrooms, &lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated -&amp;gt; now-or-never, in your 30's, below zero, &lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
 [[File:A2996_Aliens_in_Green_IB_small.jpg]] &lt;br /&gt;
  * endocrine disruption (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * turbocapitalism (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * cosmic rays and bit flipping (jxxx)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * aqua_forensic (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * Botanist - Tsing (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * Oncomouse (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;br /&gt;
&lt;br /&gt;
    * GMO bacteria (laura)&lt;br /&gt;
    - what is going on here? &lt;br /&gt;
    - which are the agents implied? alive or not, human or not, powerful or powerless&lt;br /&gt;
    - wheres? spatiality / situatedness / displacements / distribution&lt;br /&gt;
    - whens? temporality / durability / existing / extinct / repeated&lt;br /&gt;
    - semiotic-materialities: what signs and matters are at work in this ensemble?&lt;br /&gt;
    - Your entanglement with the scene&lt;br /&gt;
    - can a pattern be identified here? to what extent is this damage structural, or singular?&lt;/div&gt;</summary>
		<author><name>Jara</name></author>
		
	</entry>
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